索尼inzongh7使用教程
in this video i'm going to share twelve camera movements for cinematic video creative shot ideas for better b roll to use on your next video sheet if you don't have a gimbal， don't sweet because a lot of these shots are possible with just your hands unmistakable what's up youtube drawcraft video with another exciting tutorial although my channel has a strong focus on video with sony cameras i've decided to spend more energy on full making tutorials like this one that will help make your video look and feel more cinematic from epic bureau ideas to lighting and color grading if you want to step up your video game watch this space now let's jump into those camera movements number one the michael bay aptly named after the director who made a short famous three things she have to do a year to pull it off shooting from a lower angle upwards has a way of elevating your character creating the zero effect you have to use a lens equivalent between 35 more and 50 millimeter and then most important your camera movement needs to be in the opposite direction against the movement of your talent with a turning movement keeping them centered in general this needs to be shot at 50 frames per second or more to amplify the euro effect but can also work if you're doing a quick edit like this one that will shot at twenty five frames per second the zoom push for this shot you need a zoom leans and ideas to zoom in as you push forward zooming in in post will not give you the same effect because the compression changes with the focal length giving you a new perspective you can also pull out and zoom out like i did in this shot i also love shooting it at a natural frame rate like 24 25 frames a second because of the beautiful blur you gate when you zoom perfect for fast edits the model reveal this has to be one of my favorite shots the idea is simple place your models in a straight line start with the camera in front of the one model and reveal the second one as you move around this shot also uses the principle of opposite movement where the model's face moves in the opposite direction to the camera making the shot feel more cinematic number four ingredients on the lanes it doesn't have to be food but cheating straight up and dropping stuff on the lanes sure makes for an interesting angle you can use clear plastic wrap or a sheet of gloss to protect the lanes having a rotating screen really helps with framing because you want to shoot at a shallow depot field which also adds to the effect 5 the bicycle revealed again it doesn't have to be a bicycle it can be a runner or someone on a skateboard but the idea of the shot is to let the subject into the frame to hold the frame for a few seconds and then to lay the subject speed off out of the frame this kind of shot is a really good way to open a scene like i did for my sonyfx 3 form 6 pan up look up with this shot timing is key your actor has to look up at the right time as the camera moves up in this case it took a few takes， but when you get it right it will create a powerful effect with halfway day if you're enjoying this video make sure you stick around to the end as as i will be sharing a bonus step 7 the pullback reveal the movement is pretty straightforward， but it's important to bring the subject in the frame with some kind of movement as you pull out giving it more life in this case it's the hand going up， but in other examples i had the model stepping into the frame so the focus was first set on establishing the scene and then transitions over to the model a reveal like this at the right time can create a powerful moment in your video 8 forward push wide similar to pulling back， but now you're actually going with your talent forward and the idea of this shot is to take you closer to your next scene so your next cut has to be a medium or a close up the most important as big of this shot is to use a wide lanes and to find a good foreground start your movement before the model hits the exact spot for smoother results 9 cross movement not exactly a shot you can always plan for， but worth looking out for is something amazing about cross movement in the frame and if you can put your subject against the flow for other objects or people your shot is bound to look more cinematic number the tool this shot became more popular on gimbals with the rotating function， but it's actually possible to do it hand out since you can't move the camera as far as with a gimbal it's important to use a foreground which really helps to enhance the feeling of movement these shots can be done at normal frame rates although slow motion will give you smoother results。 11 reflections it doesn't matter where i shoot i'm always going to look for reflections it doesn't have to be water and you only need a little bit but a reflection really adds to the cinematic death of your friend number 12 the centered look back this shot you definitely want to shoot in slow motion preferably above 50 frames for a second keep your model in the center of the frame and at the right spot call action for them to look back into the camera and now for that bonus dip do you find yourself sometimes not knowing how to direct your actors if you don't know what action to assign to your model the easiest way is to use props or to make them go somewhere props give your model something to do and unless they need to deliver dialogue you always want them to interact with something put them on the move and the journey alone will instantly make things feel more natural this really helps if you're not working with professional actors or models without video experience i do this in all my videos but it's important to keep the props relevant to the scene i made a detailed video about the subject you can check it out here if you enjoyed this video please be so card to leave a like and if you have any questions drop it in the comments below and i'll do my best to answer thanks so much for watching and i'll see you in the next one。
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07:57查看AI文稿AI文稿all the focus in video is no longer give me and if you know what you're doing you'll get amazing results let me show you how on this video i'm going to break down the different autofocus modes used in full making and altigate the best performance out of your sony offer camera if used correctly autofocus can add tremendous production value to your forms without the need to rig up your camera with additional focusing systems or making use of a focus puller i use autofocus for the majority of my work because of how accurate and reliable it is and in many cases i'm confident that autofocus will give me better results than human control the reason i love autofocus so much is because it allows need to fully concentrate on the shot and the composition in state of focus something that can be a distraction when you have to do everything yourself the order focus system of the sony auto cameras are incredibly intuitive and the only thing you need to understand is which more to use when and why we're going to use the sony a70s mock 3 as an example， although the system is pretty much the same on all the models except for a small tweak and i order focus lacking in some of the older models but more about that later i'm only going to touch on the modes that i actually use so starting at the top we've got the wide mode the wide mode can be annoying if you don't use it in the right context because when you're shooting a scene with lots going on you can't predict or control what the camera will decide to focus on it is however， one of my favorite modes to shoot shooting when working with people due to the great performance of their real time eye order focus i only use this mode when shooting one individual or at least in a scene where one can only see the face of one individual i order focus is my favorite feature because it doesn't matter how shallow your deep fulfilled as long as the eyes in critical focus the shot will work it's incredibly reliable because when the little square appears on your subject eyes that is your guarantee that the eyes in focus it's the camera's way of saying i got this once i see the square i stopped thinking about the focus and simply concentrate on the shot all of the offer models released in 2019 on where to have this feature in video mode although previous bodies like the very popular a7 mock 3 can only do it installs and not in real time video so the a7 mark three's face detection works really well it's important to take this into consideration when buying a body especially if you like shooting talent at shallow deep field where eye autofocus will always nail critical focus on a side note a feature i like to use when shooting in continuous autofocus is hold focus this works well in a scenario where your subject is not moving but other movements might throw the focus off for example an object going past the leans like a car or another person i used the shutter button because this is where my hand is already gripped when shooting video with art causing unnecessary shake to the image you simply soft all the shutter button and your square will turn green for as long as it stays green it means the focus is holding and the camera will not try to change the focus this allows you to do creative shots like this one where the model walks away at our focus next we've got spot focus by far the mode i used the most i'm skipping zone and center focus because i can get the same results with spot focus， but with more control here you've got the option to select the size of the spot or in this case the square i mostly use the large square although the all cases where a small and medium square is required it just depends on what's going on in your scene in this mode the camera will only focus on the area within the square with eye autofocus keeping priority within the square your first option is to use the touchscreen and tapping on the area you want in focus for example you can do a focus rack between subjects an essential part of narrative storytelling another way to utilize it is to set your square in the desired area you want to focus to be and then to move the camera allowing the focus to shift naturally as the square moves a real subject spot focus is also the mode i use when i require a shot in manual focus so neat little trick is to disable continuous order focus within the camera instead of switching it off on the lens what this does is it gives your camera the ability to use order focus on demand while in manual focus mode giving you quicker focus on a specific subject without trying to dial it in on the lens manually you can always double check it with the focus magnifier but it's much faster and in this case having a smaller square gives you more precise focus on an area now you don't have to hold in a button to keep the focus you simply carry on shooting knowing that the specific area will stay focused now that we've covered these two modes it's actually a way to combine them into one you can use spot focusing in wide mode by enabling it on the screen first make sure touch operation is on and you'll see a small box appear and tapping on it again will cycle through the different options the first is normal spot focus， but year you don't see the square when this mode is active you can tap anywhere on the screen and the camera will focus with great accuracy perfect for doing focus racking without switching modes a new feature that was only recently introduced is the tracker focus tracking works amazing if you want a camera to keep a subject in focus that is not human or with a camera can't see the eye like this example where the model is walking with her face away from us， but we still want the camera to keep her in focus you can see how the camera is tracking her movement without any effort next we've got the focus speed sating as much as i love the insane speed of the sony order focus system it's also possible that it focuses too fast which might be a due digital luckily sony gives you a choice to tweak it to your own liking so yeah you've got two settings first you have to transition speed which changes how fast the camera focus on an object once focus is initiated the second is the subject's sensitivity which is how sensitive the camera is the changing focus to another subject not to be confused with focus speed but rather how quickly the camera decides on the subject to focus on for instance in this shot with the slowest instivity the focus only changes after a moment of being on a different subject and not on the talent now for 90 percent of the shots i do i use it on a specific setting so you're welcome to try it out for yourself but my go to is transition down from 7 to 5 and my subjects in sensitivity down from 5 to 4 they are however instances would make sense to choose the forces sensitivity for example when you soon in slow motion going at 100 frames per second you can see that with a slow setting it feels like the camera takes too long to focus once the footage is slow down in this case i usually set my speed to the higher setting so that when the footage is being slowed down it feels more natural and there you have it it's really just about knowing which modes to use and why about understanding when to hold focus and when to use spot focus and how to tweak it to your like me what a focus this year to stay and i can see it becoming a more integral part in modern day for making with one man operators getting better results than what is humanly possible there will always be a place for manual focus， but if the shot is doable in order focus why bother if you found this tutorial helpful come say hi on my social channels make sure you keep an eye on the alpha universe for more webinars and events like this one thanks so much for watching and i'll see you in the next one。
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