godox sl60w使用教程
粉丝8044获赞17.0万
相关视频
03:29查看AI文稿AI文稿这样这样，你这样的照片究竟是怎么拍出来的呢？我是例外啊！今天就给大家分享一下我这种抽帧定格动画的效果究竟是怎么拍出来的。首先你的相机需要有连拍功能，其次你最好有个定焦镜头， 以及一盏跟上你连拍速度的闪光灯。我用的是这款神牛的 it 三二这闪光灯，它只有八盏那么大小，所以说平常我带出去的时候就不会那么累，所以拿它出去扫街就比较方便。然后就是这个闪光灯用的热水口，是一个引闪器，用磁吸的形式，像我视频里那种在晚上连拍，这闪光灯功率就完全就够用了， 但是快门一定要调到一百左右。然后就是前期开始如何拍摄了，要尽量引导模特做出一些动态性比较强的动作，配合你的变焦头缓慢放大，这样就打成一种 很有声说不上来。然后尽量让模特做出一些互动性强的动作，你就围着模特边转边拍就行了，切记摄影师也一定要动起来。 大家看一下第三视角跟第一视角拍这种奔跑是什么样的，然后效果就是这样， 然后神牛他这个闪光灯，他这个设计拍出来的效果还挺有意思的， 甚至还能对着自己闪，后期调一下色，效果就是这样的，突发奇想，加个双重曝光点更好看哦， ok。 然后是后期 连拍的效果，我习惯在相机机内里边直接去选片，然后后期再直接导入到 let's run 里边， 在 let's run 里先对单张进行一个整体的色调调色调，色完以后注意看我的操作，把这张图片的调色效果给拷贝下来，点击左边那个拷贝，然后点击 ctrl 加 a， 一 键全选，再点那个同步，看见没有，对点一下，点完同步以后再点那个粘贴， 对点完粘贴他就直接一百来张图片，还是一万张图片，全部都一键复制粘贴了，就是一模一样的调色效果。然后你就可以点击键盘上的左右键， 来来回的看这种连拍的效果。所有的调完以后，就点那个 ctrl 加 a， 然后一键导出就行了。导出完以后怎么把图片变成那种动态的视频呢？非常简单，打开这个剪映， 然后点击右上角设置全区设置，点这个剪辑，然后把这个默认主页时长看见没有，对设置成零点一零点二秒左右就够了。对完以后，把你刚连拍照片全部一口气导进去， 然后再分段导出就行了。怎么分段导出呢？分段导出的话，就你对那个想要分段的位置定好，点一个字母 o 就 行了，然后再点击导出就完事了， 然后剩下的全部都是这样的步骤，反复重复，一个一个导出来就成为视频了。 怎么样？这种效果其实做起来是非常简单的，没有什么难度，难的是你要拥有敢于按快门的勇气，以及发现美的感知力，要多去感受感受生活中一些小美好， 这样子你就能拍到好看照片了，这才是摄影里面最难的。希望我这条教学视频能帮助到屏幕前的你，大家一起共同进步，同时喜欢我的作品可以点点赞，点点关注，支持我一下，后续我还会继续保持更新的。那就加啦！
3703Leviiiiii
01:44查看AI文稿AI文稿这期给大家讲讲我自己打光的思路，如何拍出这样这样这样的照片。首先拿出我们今天的主角他家灯，个人感觉还是很不错的，可以调节色温，亮度这些都可以调节，还可以支持手机 app， ok， 那 么现在我们开始拍照，拿出他们家的配件反光照，他们家配件还是很多的， 安装好后亮光就聚在一个点上，拿出我们的模型，摆出自己喜欢的动作，接着把手机相机一点，五倍或者两倍这些拍，稍微拉低一下曝光，聚焦一下模型，调整一下手机， 是不是很明显啊？接着让我们重新操作一遍，打开灯，聚焦模型， 调整一下手机左右两边，如果觉得暗的话，可以在左右两侧放补光灯，这样就得到了一张很不错的照片。接着让我们说一下白被灯光就像我这样打过去， 调整一下手机，让模型在居中，在整个图片里。接着我们右侧是不是有点暗，给右侧加个补光灯，这样一张白被的模型照片就出来， 是不是很简单，你也可以做到。好了我们这期就到这，这些就是我平时自己的打工思路，希望大家能拍出自己喜欢的照片。
576帅到小美倒追我
01:00查看AI文稿AI文稿当快门速度低于二百五十分之一秒以下时，相机的快门是这样工作的，前联打开，完全打开，后联开始关闭，这个时候相机快门是有一个完全打开的瞬间，闪光灯的光就是趁这个时候被相机收录进去的。 但是当快门高于二百五十分之一秒左右的时候，快门工作的方式就变了，他就变成了扫描式的前脸打开后，紧接着后脸就开始关闭，全程只留一个小口，没有一个完全打开的瞬间，这个时候如果闪光的直闪一下，就会出现这种闪光不同步的情况，所以在高速同步的时候， 闪光灯就变成了超高速的连续闪光。快门速度越快，需要闪光的次数就越多，快门每开一个小口，灯就闪一下，这个频闪的速度肉眼是看不到的。使用高速同步的时候，闪光持续的时间会变长，容易把快速运动的物体拍模糊， 这就是为什么使用闪光灯的时候，快门速度调的很高，拍出来还是有点虚。闪光灯如果没有高速同步功能，就要把快门设置到一百六十分之一秒左右。
6225神牛godox左升专卖店
02:53查看AI文稿AI文稿大家好，欢迎来到 gods 神牛直播间不光分享的频道，今天我将给大家分享高清且有质感的数码直播间的灯光布局方案。回到我们的直播间，那么这一次的话呢，依然是给大家带来了我们的三款新品。首先先看我手上的这一款， 这款要想获得更高清更有质感的数码直播间的效果，我们需要在美术置顶的上面进行更有层次的搭配。此次数码直播间的风格为按掉场景的风格，所以我们选择了水泥灰的墙面来作为直播的背景。 然后我们将放置数码产品的置物架、铁碗等的道具放置在背景的后面，要营造数码直播间的氛围。在灯光的布置上，在背景的右侧，我们使用调成淡紫色的 神牛 cl 幺零的多彩灯打向背景铁碗的墙面，用于给画面的右侧进行染色。 在背景置物架的上面，我们使用将颜色调成淡蓝色的 tl 三零的条端直接瓷器到置物架的里面作为背景的点缀光用，营造科技数码的氛围以及增加画面的层次。 我们在主播左侧逆光与右侧逆光的地方分别不计长，加了三五乘幺六零的条形柔光箱打向主播，用于给主播的左侧以及右侧进行勾热，轮廓按取背景分离，增加主播在画面中的立体稿。 然后我们在主播的顶部吊装一掌加了三五乘幺六零调 轻柔光箱的 sl 两百三代的灯光作为顶光，用于给模特以及桌面上的数码产品进行补光。 在左斜侧的上方，我们布置一盏加了九零申包的 sl 幺五零三代的灯光从上向下打向主播及桌面的产品，用于给产品及主播进行补光。 在右斜侧的上方我们也不计长加了九零升抛的 sl 幺五零三代灯光从上降下打向主播及桌面上的成品，也用于给产品及主播进行补光。 好了，以上就是本庆吗直播间的相关布置方案的分享， 喜欢我们的视频记得一键三联。好了，我们下期见，欢迎各位小伙伴呢再次回到我们的直播间，那么这一次的话呢，依然是给大家带来了我们的三款新品。首先先看我手上的这一款， 这款的话呢是我们最近刚出的一款电竞麦克风，如果是看到他的话呢，相信屏幕。
215GODOX神牛影音
09:15
01:15查看AI文稿AI文稿那么接下来给大家带来小场景直播的曝光方案。 总的来说，十五平方米以下空间有限，通常适用于一些体积比较小或者说展示细节的小产品，比如精品服饰、美妆、零食等。现在为大家说一下小场景的通用曝光美妆曝光、 珠宝故光三套灯光方案。小型直播间一般采用固定位置坐着直播，我们采用正面放有一盏柔光箱的 sl 六零 w， 左右两边各放置一盏加上柔光轴的 sl w。 这样制造的大面积柔光能让背景和人物都可以被照亮，从而使得提亮整体画面。 这种三灯方案通用性比较强，满足了大部分的需求，是小型直播间中比较万能的曝光方案。相比两盏灯或者仅使用环形灯的效果，三盏灯可以使的画面更加通透， 我们可以看一下画面对比。同时神牛 sl 系列高显色性的灯光可以减少色彩的偏差，降低因色彩误差抖。
01:29查看AI文稿AI文稿平方反比的实际应用光会随着距离的增加而衰减。随着距离的增加，光衰减的速度越来越慢，光在扩散的时候，面积会增大。在距离灯一米的地方，假设亮度是一，在两米的地方， 距离是原来的两倍，亮度不是衰减了一半，而是衰减了二的平方分之一，也就是四分之一。 三米处距离是原来的三倍。三的平方分之一，也就是九分之一。但是随着距离的增加，光衰减的速度越来越慢。模特和灯的位置不变。 调整灯的位置，观察模特本身的反差。灯光拿近，模特脸上明暗反差大灯光拿远，模特脸上明暗反差小。再看模特和背景的反差，灯光拿 远，模特和背景明暗反差小灯光拿近，模特和背景明暗反差大。因为灯离模特近的时候，相当于模特在一的位置，背景相当于二的位置，光衰减的多。灯拉远之后，模特相当于六的位置， 背景相当于七的位置，光衰减的少，所以反差也小。懂了。平方反比对于控制光比非常有用。 控制光笔大多人的理解是通过调整各个灯之间的功率。其实还有一种方式就是通过调整一盏灯的距离去控制它所产生的光笔。
08:26查看AI文稿AI文稿hello and welcome a godocks film lighting 101 tonight we'll be experimenting with some night lighting of a car let's check it out so tonight we are out here in the middle of summer in texas and it is hot and the idea here is to film a few abstract sequences of a guy washing his car and i've always been a big fan of these old school vintage car washes they have tons of character and just look awesome under the lights and what's great about these car washes is here in the us you can find them pretty much anywhere so what we're gonna do is we're gonna use some godox lights to transform in everyday location into something a bit more stylized and edgy so a great thing about shooting in a car wash is it gives you multiple options on which bay you want to actually set up your scene so we came over here and we set up here on the end and this just allowed us more freedom and let us place wherever we needed to like in the corners over here and what i liked about every bay of this car wash is that they had these mercury vapor bulbs in each of the corners and what we did is we built off of those practicals and we use godox lights to really enhance those lights for the scene okay， so for starters what better way to highlight an american vintage car wash than with some good ol american muscle， so we have this dodge challenger that was perfect and they fit the bill and what we wanted to do is have our talent just wash his car and kind of be in the zone and just love what he's doing out here so what we really liked about this black car is that you can clearly see the reflections everywhere and to really make this even better is when you add water so water is definitely a great tool for cinematographers if you pay close attention to exterior night scenes in movies or big budget， commercial and even music videos you'll notice most of the time the ground is soaked with water and puddles even when it's a clear night with no signs of brain the use of water helps reflect light which makes things more dynamic and can even add a few extra stops of light to a scene you can add water to pretty much anything like windows cars walls even people if you wanted backlighting water highlights the detail of the water whereas front lighting water can cause it to be nearly invisible of course filming at a car wash can help with all of this but if you find yourself in a remote location you can always bring jugs of water or even water bottles to do the trick also depending on the production budget you can use a water truck to cover large surface areas or ask a local fire department to help you out with access to a fire truck or hydrant tonight we were doing a lot of experimenting and what better way to experiment than shooting handheld and shooting handheld really allows you flexibility to find your shot and kind of get lucky with your composition so i love going handheld it's probably my favorite way to shoot and what we have tonight is we're using the panasonic s1h with a lomo 50 millimeter round front anomorphic lens and using adventures lens really helps compliment adventures location like the one we're at tonight so the first thing we wanted to do was build off the practicals on location so the mercury vapors were up there up high and to basically complement those lights what we wanted to do is add a street lamp kind of motivation and so using a light like the ld 150r is perfect for this so we're able to dial in the hue to exactly the orange tone of an old street lamp and we added a honeycomb and some barn doors and what this is doing is it's containing the light in a narrow pool， so that the light doesn't spill all over the scene and this light will also back light the water which really helps the reflections across the car so from here what we wanted to do was add a little bit of fill light to the environment so we took four godox tl 60s and these lights are really cool because they can serve as practical lights within your scene and i just really like how they look with the antimorphic lens， so i can use a godox light app i can turn them on i can control the hue saturation brightness and what's really handy is when the lights are placed up high like they are right now i can be behind the camera and still control everything with the lights so from there what we wanted to do was compliment the orange tone coming from the ld 150r， so we took a codox sz 150r and this light is full rgb and we thought that a good turquoise type tone would really match the orange， so we have an orange and teal setup so we turn this on and what this light is doing is it's illuminating this bay right here next to the one that we're filming in， but it's also bouncing off of the ceiling to create shadows and then illuminate the car the ground and the subject below so to create balance within our scene we wanted to do on the opposite side of the bay is use a godox s60 focusing light and this light's really cool because it shoots a narrow beam especially with the barn doors attached and it's super high output it really highlights the water which really enhances the texture that's all over the car so to add more of an orange street lamp effect just like the other light we added an amber gel to this one and it just makes it look more realistic in the scene and it helps create balance within the environment for this particular shoot what was really nice is most of these goduk's lights are all battery powered so it allowed us to get more experimental and to quickly set things up and move things around more efficiently so since we are shooting an abstract sequence we're able to shoot kind of out of order and what we did was we shot all of our wides first and then we moved in and shot our close ups inside the car we took the lights that we had already lit up everywhere and we just brought them in closer and we experimented with what was working and where and we just noticed if we move a light a certain direction we could illuminate the water on the windshield a certain way or on the driver side， window or on his face and sometimes that's what's best about not having a set structure is that you can get experimental and you can find the right shot for the right moment so when you're using a lot of lights around a lot of water things can get sketchy really fast so luckily godox did the research and they thought about this what they have now is they have a teal 30 that comes with this cool waterproof bag and so that's really a lifesaver when it comes to filming something like the situation， we find ourselves in right now and what's nice about this is we can set it on a windshield literally wet down the car with the light on the windshield and get all the reflections of the water coming all around it hopefully you can use a few of these lighting techniques to help with filming a car scene at night godox offers a one stop solution for all your filmmaking needs from lights to monitors to audio to stands to grip and staging essentials thank you so much for checking out this episode of godox film lighting 101 we'll see you next time until then happy filmmaking。
43Godox神牛
02:39查看AI文稿AI文稿大家好，欢迎来到 gold 神牛直播间不光分享的频道，本期我将给大家分享类似罗永浩交个朋友直播间 使用 led 屏幕作为背景的直播间是如何搭建的。这款产品的话用的就是咱们的中药的配方。嗯，所以说今天的话来，我们先给各位宝子们先实地的试验一下子。 led 屏幕直播间适合于综合型的卖货直播间， 他不像绿木或者蓝木，直播间会对卖的产品有要求，需要产品上不能有绿色或者蓝色，不然会出现产品扣扣的情况。 并且通过 led 屏幕去展示成品，以及在进行多机位展示的时候，也能保持背景画面的真实性，实现更高级的展示效果。本次直播间我们使用航架搭建了一个长五 米，宽五米，高三点五米的空间，并在航架的后面布置了一块三点五米乘三点五米的 led 屏幕。注意在选择屏幕的时候，我们尽量要选择高清且细腻的屏幕，这样在显示画面的时候才会更细腻，更舒服。 在灯光的布置上，我们在左侧逆光与右侧逆光的位置分别布置一盏加了三五乘幺六零条形柔光箱的 sl 两百三代的灯光略高，与主播分别打向主播，用于给主播勾了轮廓，让去 led 屏幕分离，增加模特的立体感。 在主播的顶部，我们布置了两张柔性布灯，从上向下打亮主播的顶部以及照亮桌面上的产品。在左 结算的上方，我们布置一盏加了幺二零声抛的 godos s l 三百三代的灯光作为主光，打向主播和桌面，用于给主播和桌面上的成品进行补光。 在右斜侧的上方，我们也布置一盏加了幺二零声抛的 codos s l 三代三代的灯光作为辅光打向主播和桌面，用于体谅主播和产品的阴影。 注意所有的灯光附件都需要加上隔山来控制光线的照射范围。好了，以上就是本期视频的全部内容，喜欢我们的视频记得一键三连会转发。如果你还想观看其他的内容，可以去看我们账号的，其他内容也可以在评论区里面提出。好了，我们下期见。 这款产品的话用的就是咱们的中药的配方。嗯，所以说今天的话来，我们先给各位宝子们先实地的试验一下对不对。好，待会宝子们呢。看到了我们女主播，试完之后呢，直接去购物车自行下单就好啦。
00:31查看AI文稿AI文稿往下去看的话，有咱们家八六零十六号链接液晶屏幕按键控制面板升级用到灯光，有给大家做到七十六瓦功率，后置两瓦长量造型的，也可以直面补光，升级用到灯具，咱们性能齐全，性价比都很高。整体我给大家升级用到了咱们家八六零三，带有 tcm 记忆功能， 保留自动测光数据，可以进行到咱们家手动挡。升级用到灯光，咱们这边性能齐全，性价比都很给力，可以多多参考。升级用到的液晶屏幕按键控制可以多多参考，有没有在大家考虑范围之内哦。
09:08查看AI文稿AI文稿hello and welcome to godox film lighting one oh one today， we'll be using moving lights to create an atmospheric daydream in a tiny space let's check it out and go ahead and jam out， even more kind of shake your head left to right yeah perfect that's perfect keep it going， keep it going， keep it going， so like your naturally drumming but you're actually playing the organ as intense as possible like count dracula you can call dracula play the organ who plays the organ there you go you got it for this setup we wanted to create a scene that metaphorically transforms the viewer into the mind of a composer as he creates a song to do this we are using various goduk's lights to move around the space to give the scene a very dreamy and atmospheric feeling using lights that move within your scene can help represent a passing of time a daydream or maybe even a larger than life moment the way the lights illuminate the environment can help drive the story surrounding the actor and can help the audience understand what the character is thinking or feeling within their own imaginary world as for the location we showed up sight unseen and we didn't realize how small the space actually was so today's lesson is gonna be more about how to make a dynamic shoot with a very small location so always make sure that your talent is in good shape， so we can help you move your furniture to really make the scene come to life， so we have cody here he's gonna help us move this super heavy piano and we'll see how it goes so the reason we're moving this is really to give ourselves a little bit more depth， so that we have more depth to filled in our shy and just to make the overall environment seem a lot bigger so our set was a little bland when we first got started what we're gonna do now is we're gonna bring in our own props， i just went to a local department store and bought some little knickknacks it seemed to work just fine we can just stage this however we need to， but i always find that reflective like chrome like this mug right here or even this turquoise bottle stuff like that will really help with distortion in your lenses and really help add some color to your overall image i just like how it kind of looks once it's all thrown together and so we'll set these in the area and we'll play and to see what we get okay so decisions decisions i guess that could live there and this clock could live there， i don't know what to do with this， but what's kind of funny is randomly got this and then the couch happened to be turk boy so it's always nice when things work out for this scene we're shooting on a red komodo with a vase in 28 millimeter anamorphic lens the animorphic lens is brand new and is really cool this is the first shoot that we've actually got to experiment with it really like it so far to soften it up a little bit because it is really sharp actually added a black promised filter the 18 stop version and what this is going to do is soften your image just a little bit to help give your image a more dreamy look so on past that episodes whenever， i'm using animorphic i'm actually using a magnifying glass to get close ups because of the close focus distance， but now with this lens you can use a diopter that can just screw onto the front this is actually a plus two diopter and it just allows you to get even more extreme close ups when using animorphic as far as our key light goes we wanted to add a little bit of extra exposure throughout the overall environment of our scene so we used a godux ul 150 we raised it way up high on a c stand and used the qrp 120 softbox and we put the grid and a cloth on there and that diffuses the light evenly across our subject it really helps bring out a skin tone without casting hard light all across our subject and the rest of the environment one of the challenges whenever， we booked the location is we thought we actually had windows in our scene and turns out there's actually a flat wall in no window for our scene so what we did is we made an adjustment and so a lot of times you're gonna have to make adjustments on the fly on set especially whenever， you've never seen the location before so we needed to create our own fake window and so what we did was we added a godox ld 150r panel light and this is full rgb light it's got millions of color possibilities i can control it with a godox light app and we wanted to make it look like a window so we grab this room divider and we set it up to make it seam as if it was a source that light would actually shine through and this actually has a nice little frosted panel that kind of helps just make it look even more believable within our scene and so we went with that and there's our fake window so we've got a godox ld 150r right back there behind that little panel and that's given us that nice cool blue light and i'm easily able to adjust the color timp with the godox light app that i'm using here and i can see it in real time with my camera setting so that's one really cool thing about being able to use the app as you're looking at your shot in real time the idea here is to build off these practicals so these practicals give off this warm yellow tone and what we're gonna do is we're gonna use mirrors to reflect spotlights onto our scene and what that's gonna do is really just make a more of a daydream type illusion that's going on inside the composer's mind so whenever you're filming in a tiny space one trick that you can use is using mirrors as windows and so we're using this reflective mirror in these godox s60 spotlights and what we're doing is we're moving this light in a direction like so， and it is casting these really cool shadows all across our scene and one other thing is make sure your mirror is nice and dirty with fingerprints all over it yeah that's pretty dirty right here we have two godox s60 spotlights and what these are doing is they're hitting off this mirror and that's projecting all those moving images and shadows across the background of our overall scene and on this specific light right here it has the 85 millimeter lens projection attachment and it has a gobo of a window inserted in there， and a cto gel on the front just to warm up the overall image and this light has the barn doors and more of a wide beam， and that's the help the exposure brighten up just a little bit throughout the overall scene as it hits off the mirror， so it's important to have two different types of projections hitting your mirror because that way there's a difference between each light and so you're not casting the same duplicate image across your background what we have here is the godox tl60 and this is a tube light as rgb can control all kinds of colors with it millions of possibilities and for this what we wanted to do was actually match the tone that was coming from the other practicals in the scene and this light is serving as a nice backlight for our subject so our camera is right over here and so this is helping highlight this area around him and it helps bring him out from the background and also helps compliment the blue tone that we have back here in the background to go along with the theme of moving lights all throughout the background we wanted to add another light to the other side across from the mirror so we have a godox ml sixty this is a battery powered handheld light if you want to hold it handheld which is really cool super bright so what we're gonna do with this one is we're able to move it up and down and what we have here are these trees and these artificial plants placed all on the stand and this is helping cascade different kinds of shadows all across our environment and our subject just to kind of complement the other spotlight stuff that's happening with the mirror on the other side all right here we go everybody positions and in three two one action 啦啦啦啦 啦啦啦啦 hopefully this example of using moving lights in a tiny space can help enhance your scenes for any of your future projects godox offers a one stop solution for all your filmmaking needs from lights to monitors to audio to stands to grip and staging essentials they've definitely thought of everything thank you so much for hanging out and experimenting with us on this episode of godox film lighting 101 we'll see you next time until then happy film making。
450Godox神牛
00:30查看AI文稿AI文稿主播会比较建议八角，如果说你觉得八角，你如果说担心的话，你要么就说四角和八角的，你都带回去试一下，你觉得八角的好你就留八角的，觉得四角好你就留四角的，把那个退掉就行了。 sl 六十的话是七十五万，因为有些老师们就是直播间搭建灯光的话，其实你人物也不用出镜，你主要就是产品出镜。
00:37查看AI文稿AI文稿哇的功率大小性价比他都非常的高，六号链接的话是咱们这边的一个敞亮灯光 m a 百 b i 像如果说有需要了解这一款灯的话，可以参考一下一百瓦的一个功率，加上咱们标配给您送的十五度反光杯，光线他会更加集中，整体是一个一百二十瓦的功率大小 升级用到的灯光的话，做到的神牛口设计，他可以去装柔光箱、柔光球、标准照投影筒，或者说各种柔光配件他都能去用。另外的话他供电方式也都是比较多样的。有三脚架吗？有的老师像咱们直播间这边都是给大家升级上咱们一米八的反折叠灯架给到您的。
