在使用苹果手机拍摄时,请一倍正常拍摄,尽量不要变焦。不要使用苹果手机原声相机拍摄,尽量使用 i footage mocho app 拍摄。 如果拍摄的效果不是很好,我们可以尝试开启防抖功能。 手机防抖功能可以根据具体的拍摄效果选择开启或者关闭。根据我们对各大主流 手机品牌的热门型号测试,安卓系统会比 ios 系统的拍摄效果更好,像华为的 p 四零手机五倍变焦拍摄都没有问题。这和手机摄像头的算法有较大关系。 配合功能强大的 i footage mocho app, 我们可以使用 iphone 十二 pro max 拍摄出反向变焦镜头,也就是我们常说的西区苛刻式镜头。 我们用手机连接纳诺以后,在 app 的操作页面上进行设置。 先把 na no 推到拍摄的镜头起伏处,设置一个 a 点,我们可以调整 a 点的焦距,调整焦点。 然后把 not 推到拍摄的镜头落服处,在这里设置一个必点,调整必点的焦距焦点。 然后我们点击拍摄按键,拉诺就会按照我们刚刚设置好的路径,自动完成这样一个反向变焦效果的镜头拍摄, 也就是我们常说的西区苛刻式镜头效果。 通过手机 app, 我们还可以设置镜头焦点在 ab 点之间的虚实转换的效果。在同一个镜头里,可以控制焦点由虚到实或者由实到虚。 根据我们的拍摄效果和需要,这里可以自如的进行操作。 通过手机 app, 我们还可以设置成镜头围绕着一个主体移动拍摄,控制焦点逐渐由虚到实,让拉诺帮我们实现镜头内焦点虚实转换的拍摄效果。
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你真的会用自动白平衡吗?你知道自动白平衡当中的白色优先和氛围优先之间的区别吗? 氛围优先就是会倾向带入一些光源的颜色,比如我们在暖光下拍摄就会带入一些暖色在画面里面。白色优先模式下就是不管你在冷光下拍摄或者是暖光下拍摄,相机都会尽可能的还原物体本身的颜色。 当我们希望我们拍摄的画面当中加入一些环境和氛围的颜色,我们就选择氛围优先。当我们希望我们画面中的物体还原它本身应有的色彩,我们就选择白色优先,你学会了吗?

鲨鱼 neno 双轴一体电控滑轨,傻瓜式操作, a b 打点,方便快捷,给你带来全新的体验。可用于视频拍摄、定格动画、延时摄影, 同时支持 usbc 供电,也解决了延时拍摄的供电问题。在云台的使用上,优先推荐小型液压云台,如我们的 k 五云台。大部分球形云台不可调重心,可能会造成拍摄抖动。推荐可调节重心的球形云台,比如我们的 m 三十。 在使用中,镜头的选择和使用方法也至关重要。百威需要开启相机防抖,微单相机建议半画幅在五十焦段内,全画幅在七十焦段内保持五十公分以上物具拍摄。当我们在使用 nano 电控滑轨前,先要完成云 台和相机的调频。以我们的 k 五云台为例,用一支圆珠笔放在云台下面的刻度线上,找到基本水平的位置,记住刻度点,然后安装到云台上方,让相机保持水平,避免产生抖动。装上电池后, 长按开机键显示开机动画,根据相机实际方向调整到相机与 neo 轨道呈垂直状态即可进入主界面。注意,开机后请先检查旋钮是否处于锁紧状态,快速开始模式的操作,同时按下设备上的开机键和 fn 键两个按钮, 屏幕上的 a 至 b 点开始闪烁。手动调整相机到 a 点,按下 f n 键,确定 a 点位置,再调整相机到 b 点,按下 f n 键,确定 b 点位置,再按确定键返回到起点,就可以开始拍摄了。

如果经常单兵作战,那么这款产品将会节省你很多的拍摄时间,加快整体的拍摄节奏。 首先将 cstury 底部安装至独角架上,随后将 cstury 顶部安装至云台下方,以供器材之间的转换。 当我们打开三脚架,安装好三脚架以及滑轨之后,我们可以把独角架上的云台直接从脚架上取出, 切换到滑轨上,然后继续开始拍摄。看到这里,相信您对应记得这款快拆设备有了 了一定的了解。我觉得这款海星快餐设备非常适合单兵作战,可以很好的减轻我们的背包负担,提升整体拍摄效率。 在婚礼、商业活动、旅行拍摄场景都可以很好的应用。

嗨,大家好,本期视频带大家快速了解应季 p 八零 b n 和 p 八零 c 的操作。使用 p 八零 b n 和 p 八零 c 是我们新推出的柔光面板灯,这款灯可按使用场景拆装柔光板,实现软硬光自由切换。 灯柱采用 tr 透镜设计,可提高 led 光能利用率,照明亮度提升三倍。 u 型臂操作简单快捷牢固。自带微口电池卡槽设计, 户外用灯可拥有更持久的续航。 dc 电源式配气供电,到哪都放心,还支持移动储能供电,让户外不光更从容。延续安康与 sl 幺系列的低蓝光光谱,对使用者的眼睛和皮肤十分友好。这两款灯支持两种控制方式,一种是机身按钮调节 p 八零 b n, 他能做到两 千七百 k 至六千五百 k 色温可调。 p 八零 c 采用全色与 r g、 b w w 换光技术,支持多种模式控制, 连接上蓝牙。还可以使用 a、 p、 p 调节 c c t 色温调节模式、 h s i。 调色模式、 r g、 b w 情景模式、 缩止库模式、 特效模式、 x y 坐标模式、 实测器模式。 p 八零 c 在拓展模式下,色温范围扩展到一千四百 k 至两万 k 的色温范围,让创作更自由。

首先曝光点我们是可以调的,在 app 界面我们比方说我们要锁定白色这个位置为锁定曝光点,我们点锁定曝光凝胶点放到这来,我们可以调焦 电胶,这个呢是根胶。然后我们还可以设置 ico, 我们把它低一点,为了保证好的画质,快门速度,这个环境的这个长亮灯的速度呢?为了避免频闪,我们把它射成五十,跟环境的光是一致的。我们现在是可以选项定格动画, 还有颜值摄影,我们先拍一个视频录制吧,全部打点 a 点。好,打完 a 点我们去把这个这个刀再移动,然后再把它照一下,然后这是一点时间一样的,设置一个 五秒,或者也可以设置速度,速度的话我们可以将就时间吧,然后十五秒,好,开始。


产品直播效果手机 app 打开灯光预设,调整一下八十 c 平板灯。主播入场之后打开一百三十 dn, 我们来看一下直播画面吧。 还可以一键切换灯光预设,分区打光拍摄更方便, 全身直播也没有任何问题。一键关闭所有灯光,收工。

造成镜头抖动的因素有可能是拍摄时使用的相机镜头较重,重心没有找准,向前或向后轻,前者是前期没有做好设备的检查,也有可能是云台没有正确的安装等等。 集齐以上因素,我们分成了几个小点来给大家进行说明。 如果轨道不稳定,可以先调节滑轨左右角的微调旋钮,将它调至平稳,然后再检查上下滑块是否有虚位。操作时要把滑块移动到 到两端,分别验证是否存在虚位。如果有虚位,可以调节上下滑块的微调旋钮,往加号方向调节为消除间隙,往减号方向调节为增加间隙。 请看一下轨道内侧凹槽内的上下两面是否有异物。如果有灰尘等异物的话,我们可以先用一块无尘布擦拭轨道内侧的灰尘, 再擦拭轮子上下两面的灰尘,然后把轨道反过来也是一样的操作,先擦拭轨道的灰尘,再擦拭轮子的灰尘。 安装云台的时候,建议不要使用球形云台, 球形云台不易调稳重心,建议使用液压云台,可以更好的找准重心。在安装云台时,我们要按住锁紧按键,这样才可以把云台锁紧。印记的 k 五云台就是不错的选择。 使用一支圆形笔,将装好快装版的相机放在笔杆上,前后移动,找准重心的大概位置, 然后记住快装板上的刻度,再重新安装到液压云台上的中心位置。 每一台 nano 滑轨出场时都已经是校准过的状态, 如果在使用的过程中由于其他因素导致不准确,我们可以手动进入设置界面,选择手动校准。 在开机自动校准后,会出现一个有红色框框住的已校准三个字的页面, 我们不要着急将它点掉。先将云台装上去,调整至垂直状态,安装好设备之后再点击已校准。 经过 nano 滑轨的实际使用测试,再配合全画幅相机拍摄时,拍摄距离在三十到五十厘米左右, nano 滑轨的稳定性能表现最佳。 不同镜头的焦距各有不同,这里我们要注意合理的调整拍摄主体和镜头之间的距离。 在使用老蛙镜头或者较长的镜头时,尽量使用长一些的快装版。 较长的镜头普遍偏重,所以长一些的块装板可以帮助调整重心位置。 在安装镜头的时候 尽量不使用转接环,因为转接环转接镜头的时候容易产生虚位,有一些转接环甚至没有办法将虚位消除,从而引起镜头拍摄时抖动的现象。

嗨,本次应季布灯教程带来的是四灯布灯方案,对灯光要求比较高的小伙伴也可以使用我们的八零 cn 平板灯渲染一下背景。 本次采用的灯光是两个二百二 dn 和一个一百三 bna, 一个八零 bn 平板灯。首先我们将二百二 dn 搭配九 五十声抛柔光箱,测温调整至五千六百 k, 放置在主播的前方,左右两侧。主播的顶部可以通过 c 型腿脚架搭配横杆 放置一台八零 bn 平板灯,增加主播顶部亮度。主播的右后方可以通过圆形脚架支撑一百三 bna 和菲尼尔,打亮主播发丝,增加氛围感。以上就是四灯不关的全部内容了,期待您的关注哦!

大家好,我是小崔,之前呢应急官方发给我两个他们的最新产品,这个海星快拆。但是呢,因为我去新疆拍摄,一直没时间来测评。今天呢,正好出来拍延时,发现云太太的不够,所以我们来测试一下应急的这个海星快拆到底好不好用。 呃,我想拍一个汾河公园向前推的这样的一个轨道岩石,然后我用的是印记的小鲨鱼,但是呢,我颜色不够,所以呢,我把两个海星快装呢装到了我两个三脚架的上面,然后把另外一半装到了轨道的两端。现在我要对他来进行快装。 下来吧,下来吧。 好,我现在把岩石机位已经架好了。我们来看一下。这是我的黑卡,用来拍花絮的。 然后这个垃圾桶旁边有个汾河公园四个字,我想让这个字划出来。然后我用两个三脚架分别架上海星的快装板,然后再架到轨道上,这样子来控制好。我现在拍完了,我现在来修机器, 特别的快,很利索。

today, we're looking at a whole new lineup of products from eye footage and in an ear, they haven't quite touched on before this is their anglofish series we're getting three new cob lights and a new handy light now it needs to be said that these units i've got here are pre production units so instead of being more nitpicky about them, i'll be introducing these from a more general approach also in addition to all these new lights, they've also dropped a handful of bowen's mount modifiers to complement the bigger light specifically, but these three new sl and ceo b fixtures are for sure the staff to show this round they're all daylight fixtures and you've got a sixty watt, two twenty watt and three twenty watt option to choose from the way i see them, the two twenty and three twenty dn are more of your conventional high power indoor studio lines while the small sixty dn sits in a class of its own you could set and use this one indoors but among these three releases this one is much better suited for running gunlighting situations compared to the other two primarily because there is a v mount battery handle accessory designed for the sixty dn that allows it to run handheld untethered in a very small package in fact, the light is so small, it cannot accommodate a full size bones bounce if you want it to use it with standard miller's mount accessories, you would have to use an adapter ring but when you choose to do so this little sixty watt fixture actually has the firepower to satisfy some big boy diffusion accessories like the ninety centimeter dooms off box it's a very respectable amount of outputs for a light, so physically small the sixty dn is also unique in the lineup for the way, its controls are directly on the lamp head itself it does not use a control box like the two twenty and three twenty dn this control box on these lies also doubles as to power supply just like many other lies these will now be competing against one thing i did not find on this box however are battery plates it would appear that these two bigger lights were not designed to be run off batteries there's also a quarter inch thread with every locking pins on the control box yet it doesn't actually ship with any sort of clamp to attach the box your lightstand with so you either have to hang it off arise a knob or let it sit on the ground the power button on here is small and recessed which is good for preventing accidental presses, but it can also make intentional presses somewhat tricky at times so to be honest is isn't my favorite control box of all time, but the actual lights themselves i'm very happy with especially when it comes to brightness output to put, the whole sl one line up into perspective the two twenty dn is about a stop in two thirds brighter than the already bright safety dn and the three twenty dn is about two thirds of a stop writer than the two twenty dn comparing the brightest three twenty dn to a light storm three hundred d mark two from aperture, the three twenty dn has about a half stop more output in return for a slightly higher power draw between the two twenty and three twenty dn as well, there is one significant physical difference and that's the yolk the three twenty eight gets a full on u shaped yolk with a handbrake star locking lever while the two twenty sits on a pivot mount with a locking tab both these lights do get supports for dmx, but it would appear the sixty d and does not however, all three of them do come with bluetooth built in which means you can control them remotely through with the the new eye footage lumen app all three of them also hits very close to their target white point of fifty six hundred kelvin, while maintaining an excellent cri school for these lights eye footage has also made a few bones mount the fuses off their own we've got two domes and two lanterns the domes are available in sixty centimeter and ninety centimeter sizes both of them feature a fast setup design so you don't have to spend way too much time attaching rods just click each rod into place to expand the softbox and collapse them using the release tabs the domes do come with a big in a diffuser that says very close to the output side of the dome very good for eliminating hot spots and you also get a honeycomb grid included with both domes the lanterns on the other hand are available in fifty and sixty five centimeter sizes these do not come with a skirt for controlling light spill nor are there any attachment points where annie so that's something to keep in mind and finally we're definitely not forgetting the little hl, one c four which is also a member of the anglofish family this is a really nice pocketable light with an internal battery this one's actually rgbw so in contrast to the daylight only sl ones you can throw out any color you want out of this the built in diffuser is removable it's attached by a ring of magnets and the sixteen groups of diodes hiding underneath are capable of throwing out a surprising amount of outputs from a palm sized form factor the light also has magnets on the back so you could stick it to a metal surface to mount it so this has been the anglofish series from the eye footage i always knew as a company who make tripods and sliders and for bran who's never made lights before they've really hit the ground running with this lineup i've got links below for anyone interested and if you enjoyed this video, maybe i'll see you in another one,