神牛ad100pro使用教程

hello， my name is kelly and we'll be doing an online occasion portrait shoot with the new godox， one hundred play free life backpack kit this cb training backpack is big enough to hold two camera bodies plus two lenses included in the backpack our free eighty one hundred pro a k are one kit also the wearing useful ubl eighty five t umbrella which is a translucent umbrella and it also come with a black diffuser to further enhance the power of your output also included is the ubi eighty five s umbrella， and that is a silver umbrella with a diffuser to further soften your life don't forget to like and subscribe to the official go to channel and now let's jump straight into the photo shoot our first location is at the beautiful historic port adelaide， where we photograph beautiful g under the old historic vote grab for this image i use a free light setup one forty five degree to her right reflecting of a silver umbrella another to her left the deadlight at the back to make a pop from the background because this is an overcast day， i also attach an orange gel to the back light to mimic a warm sunglow now ninety nine percent of photographers will probably put the back light on an angle to mimic the sun shining through from the side of the image but sometime i just love to not follow the rule and want to do something different i want people to know this is a fake like actually and not from the sun sometimes this will create more attention i want a viewer to be drawn to the light then to the model's face before everything else in the image to make the sunright even more parent from the dirt light i made sure my aperture was really high in this case it was at least f ten here is the image without any light as you can see the image is where we flat here's the image with just one light and look at the difference when the image has two light in it now to make the image pop even more this is where i added the dirt light which are orange gel at the back and purposely ask the model to move a bit to the size so that i can see the light shining through for the next image we found a charming old fishing boat i noticed the amazing clouds that were forming from the back because the sun was at the back of the model i'm so thankful that i have the godox free lighting kit with me immediately as g to sit on the edge of the boat here is the image without any light as you can see with the sun in the back g to our model is face the body is very black i in paste the godox one hundred pro to the right we've agreed to direct the light and focus it on to g this is the image with only one light that was used another one to the left here's the image would only two light that was news and finally a dirt light to illuminate her stunning leg and dress the free lights kit is so small lightweight and simple that i don't even need an assistant to help me on the day if i need to do something like this previously there will be a full production team with at least one to two assistant on set here is the image without any light this is the image with only one light that was used here's the image with only two light as you can see using free light give the image the perfect touch with the eighty one hundred pro three light backpack kit it was so simple to pack up and so light to carry it only took me a matter of minutes to pack everything up in a small backpack ready for my next afternoon shoot a ballerina l just blows my mind with what she can do as soon as i saw this door i knew i had to shoot there rather than simply having l standing next to the door i wanted to communicate how feather light and angelic l really is i want her to float in this image knowing how federal the light she is i knew that the door would have no problems supporting her end of the day i do not want to in jl or do any kind of damage to this antic door or the property that the owner have kindly allowed me to photograph here the lighting set up for this is so so simple， one on the left and another on the right to make the light even softer on else skin i chose to use a silver umbrella and a translution umbrella over the eighty， one hundred pro to bounce the light back into else body check out the image when there was no light news at all and now check out when only one light was news with and on now you can see why too light is a must to produce this image if i can access the property and put another light behind the gate i would make this image pop even more the next image i want to show you is something that is more moody and how easy this is to create using godox lighting kit with the included akr one small light modifier kid i was able to use color gel to create this image on the left i placed the orange gel on the eighty， one hundred plug and bounced the light off the silver umbrella to produce a softer yet slightly stronger orange glow compare with using a translucent umbrella with the other eighty one hundred pro to limit a tree with a simple blue gel check out the image when no light was news and when just one light was news having the flexibility of multiple eighty one hundred pro you can create whatever your vision desire i cannot explain how lucky i was with my next shoot check out the amazing sunset sunset like this do not last long but with the simplicity of the eighty one hundred pro lighting kit i still have time to set up free lights to eliminate this image and to freeze l dancing in mid air check out the difference with no light all the way to for a free light setup this is the image with no light the next image with only one eighty one hundred pro shooting to a translucent umbrella a second light simply on the floor with an orange gel to give it a little more world in the background and a dirt at the back to my l truly pop in mid air i purposely waited until it was getting dark for my next image to help bring my next vision to life this suit i only used too light but i wish that i've actually put in a dirt light to lift the shadow a bit more from the left please check out what the photo look like when only natural light was news now the difference with a simple one light setup shooting through a translucent umbrella when you add in a second light this is where the image is taken to another level wow you did i think we got a quick thank you very much thank you so much i hope that you guys enjoyed this video and enjoyed the behind the scenes of me taking you guys for an onlocation portrait shoot the ad one hundred pro free light kit is so simple and so easy to use that no assistance required and this is never something i was able to do in the past please make sure you subscribe to the official godos channel for further tutorial and tips thank you for watching my name is key hope to see you guys next time。

今天要给大家分享的是 xrt 如何无限影闪，打开神牛 ad 一百 pro 的便携包，把里面的 ad 一百 pro 拿出来，首先打开闪光灯的电源，然后拨动波轮解锁。短按 crch 按钮是调节它的阻别， 长按是调节他的频道，拨动波轮就可以设置到想要的组别了。短按造型灯按键是为常亮， tnyo 是菜单按键，里面是有很多相对应的功能可以选择，这里就不细说了。 mod 是模式按键，可以切换屏闪自动和手动闪光模式组，我们是焦距调节按键，焦距范围二十八到七十都可以调节。下方闪电按键是是闪按键下面连接引闪器，然后根据闪光灯的频道和组别来进行设置，设置 好后可以试闪看看，这样就连接好可以进行离机引闪了。 a d 一百 pro 非常小巧，只有手掌大小，我的手还是偏小的，看起来也是一个手掌那么大。圆灯头还是带有磁吸功能， 直接可以安装 a k 二一灯头附件使用。 a k 二一灯头附件套装也是带有磁吸的，直接吸附在原灯头就可以使用了，非常方便。看完喜欢的小伙伴可以 入手一套，玩玩，外拍必备神器，携带非常方便。

哎，现在给大家讲讲咱们 ad 一百 pro 的这些个功能键啊，先从开机这块开始啊，电源开关打开之后，然后提示你 需要解锁，如果你不解锁，这种各个功能键是起不了作用的，看一下啊，需要解锁这个时候才能各个功能键才能起作用。 咱们先说第一个键，这是一个 mode 键，就是调整咱们比如说是 m 啊还是 ttl 啊，自动啊调整这个的，你看频闪 multi， 这是一个频闪， 再按一下 ttlttl， 它就是自动来帮你进行相机的一个补偿的一个曝光，就是你在灯上 不用调整他的输出了，然后再按这个是菜单键啊， 菜单就是进入菜单之后，你可以调整啊，什么蜂鸣音啊，开关呀啊，比如休眠模式啊，还有这个咱们的顺手加上 id 啊，都是在菜单里面调， 然后再按菜单就退出了。嗯，这是一个造型灯泡，这个比较好理解，本身就是一个灯泡的一个造型 标志，再按就关掉了，然后这两个键，你看啊，这有一个 rst， 如果咱们的操作有时候操作不知道怎么着了，或者我的灯也不知道出什么问题了，同时按住这两个键，同时按住， 同时按住这两个功能键之后推出一个， 哎，这是进行一个恢复出厂设置，两个功能键同时按住， 然后这个是注，注目就是代表咱们这个灯头在这个变化焦距的一个变化，跟咱们镜头变焦是一样，同样的道理， 二十八毫米，三十五五十，他最高是到八十五毫米，然后再按就回到二十八这条，他整他这个闪光的一个视角，就是闪光的一个角度， 这个是咱们跟音战器连接用的比较多的，就是 gr 跟 chgr 就是组 别，短按就是 gr， 调整上，比如我得给灯命名 abcd， 对吧？然后长按 就是这个 cs 这个频道啊，如何跟咱们触发器来连接信号呢？那就需要调整频道，跟咱触发器统一频道之后就可以来连接信号了，咱们用触发器就可以来阴闪了。 调整好之后咱们这个玻璃，玻璃啊，然后在这波轮是可以摁的啊，摁就是一个确定，比如说我选择这个长按，我调整到二十一， 二十一之后还在闪吗？确定，那如何确定呢？他是这个往里按这个菠萝就可以了。这是一个闪光灯的视闪 这个字母，短按是焦距，长按这出现一个闪光灯加 h 这个标识，这是一个高速同步，比如说您在外拍的时候需要大光圈，需要超过两百五十分之一的快门速度，这时候就需要把高速同步打开 啊，咱们这个 ad 一百 pro 啊，咱们最高可以支持到八千分之一的快速速度，这都是可以同步的，没问题啊，对，功能键就这么多，好。

hi， i'm richard weinstein， i'm a sydney advertising food and drink photographer and i'm known for my easy relaxed style， my creative lighting and my quick setups so today we'll be using three light kit the adk one comes with three light stands it has an eighty， three hundred pro and two eighty one hundred pro in the kit with a couple of accessories included ak or one kit what else comes in is the incredible sixty centimeter softbox really really nice， easily use folds down nice and compactly and these umbrellas with those beautiful diffusers， really grateful rapid setup and beautiful light quality get to like and subscribe godok's official channels for more tutorials now let's jump into the photoshoot so for today i'm looking to photograph some city rock oysters， it's a food shot that i'm looking to give a lighting effect of late afternoon， deep shadows and bright and very appetizing feel so i've started with my eighty one hundred and i'm using that as a backlight with the bond or attachment that just magnetically clips on the there's no cables， there's no power cords these battery lights are just so easy to use and you can see the control of the barn doors gives you that really strong sharp shadow it's just great but getting my composition a little bit more closer to the final image before i adjust any of the other lights and another aid one hundred pro with a honeycomb just as a sidelight to bring up the texture of the food and add interest these lots are really so powerful， very flex and so quick to set up so it's a three light setup i'm going with the eighty three hundred pro with a soft box and the honeycomb attachment into that soft box and it all gets controlled from the remote trigger， food， photography requires you to be pretty quick the food doesn't stay very fresh and in place for long and that's why this kit is a real go to in these situations and look at that just so beautifully appetizing well i'm happy with that let's eat so the image i've had in mind for a while is to create a nice moody whiskey cocktail feel with a bit of action so i'm starting with a nice dark background getting the glasses and the rough setup in place tethering the camera which makes it really great to see all the different lighting effects i love mixing hard and soft light and i'm gonna start with a strong back light to create long shadows and to really bring up the color of the whiskey cocktail starting with a little barn doors accessory really great little piece of the kit to control the direction of the light these eighty， one hundreds are super powerful and give you more than enough so adding a bit of ice adding a little bit more liquid let me start seeing the effect that we're hoping to create i love to shoot tethered so you really get a sense of all the little details and the adjustments you need to make second laugh that i'm bringing in is the honeycomb attachment to mars eighty one hundred sharp little light just to pick up those little dehydrated lemons and oranges and give just small amounts of light to the ice and the glass with starting to come together i do want to lift the whole scene and this is where this eighty three hundred pro is just so amazing so much power and i'm diffusing the general light using the umbrella with that incredible diffuser attachment it is such a versatile light and i'm just skimming off the side of the umbrella creates a lovely effect of texture and there's a great quality into the light source that the products provides splash with the ice and i think we might have captured the effect i'm shooting today at pork cafe in alexandria， arthur's made some beautiful dishes and we're just hoping to capture a couple before his customers arrive so in my kids i've got an eighty three hundred pro and two eighty one hundreds so quick and easy to set up no power cord to look for battery operated i'm working with the expandable umbrella and the diffuser and a backlight bond or attachment and the sidelight honeycomb attachment probably took me about five minutes to set up some food in front of camera and then we're just hoping to get a nice personal feel with a bit of staff coming in the background shooting pretty wide open the next setup is our two light setup shooting food from overhead， i'm mixing the lights with a little bit of ambient sun coming through and i'm also using one of my lights to complement the direction of the natural light still keep a bit of mood food is really easy to work with when you're using a combination of soft light and hard light to get beautiful texture trying to keep it really fresh， really real and authentic to what this cafe produces the beauty of having this portable kid is you're not looking to run any cable or looking for extensions these beautiful little light can tuck away a super light and just give you so much flexibility and so much creativity to the work you're trying to produce thank you for tuning into this video please like and subscribe all the godox channels to see more tutorials tips and tricks and new equipment i am richard lansdein and i hope to see you again next time。

哈喽，大家好，我是小婉君。哈喽，大家好，我是小冉。 今天拍摄日景和夜景，整个一个环境中使用了 ad 一百 pro， 这款闪光灯在小巧的基础上保留了一定的功率，真的非常的易用，也非常的方便，真的是摄影创作的一个非常好的一个得力工具。 nice。

hi， i'm richard weinstein， i'm a sydney advertising food and drink photographer， and i'm known for my easy relax style， my creative lighting and my quick setups so today， we'll be using three light kit the adk one comes with three light stands it has an eighty three hundred pro and two eighty one hundred pro in the kit with a couple of accessories included ak or one kit what else comes in is the incredible sixty centimeter softbox really really nice easy to use folds down nice and compactly and these umbrellas with those beautiful diffusers really grateful rapid setup and beautiful light quality don't forget to like and subscribe godox official channels for more tutorials now let's jump into the photo shoot so for today， i'm looking to photograph some city rock oysters it's a food shot that i'm looking to give a lighting effect of a late afternoon， deep shadows and bright and very appetizing feel so， i've started with my eighty one hundred and i'm using that as a bat light with the bond or attachment that just magnetically clips on there's no cables， there's no power cords these battery lights are just so easy to use and you can see the control of the barn doors gives you that really strong sharp shadow it's just great but getting my composition a little bit more closer to the final image before i adjust any of the other lights and another ad one hundred pro with a honeycomb just as a sidelight to bring up the texture of the food and add interest these lots are really so powerful， very flexible and so quick to set up so it's a three light setup i'm going with the eighty three hundred pro with softbox and the honeycomb attachment into that softbox and it all gets controlled from the remote trigger food photography requires you to be pretty quick the food doesn't stay very fresh and in place for long and that's why this kit is a real go to in these situations and look at that just so beautifully appetizing well， i'm happy with that let's eat so the image i've had in mind for a while is to create a nice moody whiskey cocktail feel with a bit of action so i'm starting with a nice dark background getting the glasses and the rough setup in place gathering the camera which makes it really great to see all the different lighting effects i love mixing hard and soft light and i'm going to start with a strong back light to create long shadows and to really bring up the color of the whiskey cocktail starting with a little barn doors accessory really great little piece of the kit to control the direction of the light these eighty one hundreds are super powerful and give you more than enough so adding a bit of ice adding a little bit more liquid lets me start seeing the effect that we're hoping to create i love to shoot tethered so you really get a sense of all the little details and the adjustments you need to make second laugh that i'm bringing in is the honeycomb attachment to mars eighty one hundred sharp little light just to pick up those little dehydrated lemons and oranges and give just smaller amounts of light to the ice and the glass with starting to come together i do want to lift the whole scene and this is where that's eighty three hundred pro is just so amazing so much power and i'm diffusing the general light using the umbrella with that incredible diffuser attachment， it is such a versatile light and i'm just skimming off the side of the umbrella creates a lovely effect of texture and there's a great quality into the light source that the products provides splash with the ice and i think we might have captured the effect i'm shooting today at porkab cafe in alexandria authors made some beautiful dishes and we're just hoping to capture a couple before his customers arrive so in my kit， i've got an eighty three hundred pro and two eighty one hundreds so quick and easy to set up no power to look for battery operated i'm working with the expandable umbrella and the diffuser and a backlight bond or attachment and the sidelight honeycomb attachment probably took me about five minutes to set up some food in front of camera and then we're just hoping to get a nice personal feel with a bit of staff coming in the background shooting pretty wide open the next setup is our two light setup shooting food from overhead i'm mixing the lights with a little bit of ambient sun coming through and i'm also using one of my lights to complement the direction of the natural light still keep a bit of mood food is really easy to work with when you're using a combination of soft light and hard light， you get beautiful texture trying to keep it really fresh really real and authentic to what this cafe produces the beauty of having this portable kid is you're not looking to run any cables or looking for extensions these beautiful little light can tuck away a super light and just give you so much flexibility and so much creativity to the work you're trying to produce thank you for tuning into this video please like and subscribe all the godox channels to see more tutorials tips and tricks and new equipment i am richard wenstein and i hope to see you again next time。

今天给大家讲一讲 ad 一百，咱们就是外排的闪光灯跟咱们隐闪器的连接信号，先把 ad 一百打开，然后这有一个锁，屏幕上提示波对波轮解锁， 现在就可以操作了。嗯，首先看咱们，嗯频率， cs 在哪是二十一，然后咱们把音量器打开，音量器的电源开关是这个，我现在用的是叉二 t， 这是电源开关，还有好多人不知道这个开关是干什么的，这个开关是一个辅助对焦的一个开关，就是平时你把它打开就可以啊，在光线比较弱的时候，相机镜头对不上焦的时候，他会自动发出这个红外光线来 帮助咱们。嗯，那个对焦快速的对焦，现在看到咱们音量器打开之后，看两个频率是不一样的，现在信号肯定是不通吗？隐闪不了，好多人这个就不太知道怎么设置设置了。 然后在咱们叉二 t 呢，就是略微要繁琐一点，先进入菜单去找这个频道 c h， 这点 到 c h 的栏，然后之后摁 set 这个键，确定好进去之后，然后就可以随意调整你喜欢的频道了。 咱们现在是灯上显示的是二十一的频道，然后咱们在一站机场也得调成二十一，这时候确定好，然后再按菜单键返回就可以了，这说明 信号是通的了。然后再看咱们灯上的组别是 a 灯，所以咱们现在所设置的是 a 灯，在仪战器上也是找 a 灯。现在是信号是可以联通的，就可以阴闪了，试闪一下， 这就可以信号联通闪光了。联通之后，联通之后，如果咱们想调 a 灯的话，那咱们直接选择字母 a 摁一下，然后这时候我就可以调成闪光灯的输出功率了， 然后调整好直接按 sat 键确定，当然有的你不确定也可以过一一定的时间，他自己就默认确定了这功率的就大小直接在这上调了。

all this race yeah in your face all this race yeah in your face all this race all this bass in your face in your face all this bass base let's go face。

分享一个闪光灯拍摄人像写真的干货技巧。现场环境中我们发现了一扇带磨砂玻璃的蚊子。如果你对闪光灯摄影有一定经验，就会知道 当闪灯穿透这样的磨砂玻璃的时候，会形成非常柔和而迷人的光效，所以对应的布光也很简单。我直接加了一只神牛的 ad 一百，加装了 cto 成色片。为了方便这里面的快拆，柔光箱没有取下，只是把箱体部分折叠，效果和裸灯一样，然后是把门完全关上 固定一下，谢谢！把闪光灯作为侧光使用，从这样的角度拍摄还有一个要点，可以看到左手边还是有一定的环境光进来， 我选择把这个门关上来减弱环境光影响。我们看到的视频是由手机拍摄的，所以已经自动的把 so 提高，使画面的曝光显得正常。但其实我们从画面的照点已经可以判断出，现在现场的环境光已经非常暗了，如果不开闪灯，我们的照片 会是一片全黑。最终在照片中给人物照明的光线完全来自于画面右侧透过磨砂玻璃的闪动。这里面我使用的是索联一和五零一点二 gm 镜头，拍摄过程中我还会使用自己的手指或者是手机反射来做一个形成不一样的层次效果。 很多人的摄影技术遇到平静，往往是因为只关注于器材，而对于光线的运用没有概念。摄影使用光线绘画，不是用相机拍照，摄影光也绝不仅仅是设置曝光和打灯补光这么简单。 深入理解光线的方向、强度、颜色、相对大小、光驱光与环境相互作用这些底层原理近日，掌握不同环境的用光技巧是每个摄影师成长必经之路，而这些内容都在我的这门解码光线课程之中。真正想在短时间内大幅度提升自己摄影技术的爱好者和摄影师一定不要错过。

这张的参数是 iso 五百，我这里用的是五百，光圈是八，快门是八分之一，然后拍的时候按下快门的同时甩一下。这边用的是一个神牛 a d 一百，前面加了一个蜂巢，还有这个黄色的色片， 然后背后的话你要加一个这个的 rgb 的灯，懂吧。打一个环境光，你就可以拍出来一张这样的慢门流光的照片。

哈喽，大家好，我是小婉君。哈喽，大家好，我是小冉。今天拍摄日景和夜景的整个一个环境中，使用了 a d 一百 pro 这款闪光灯在小巧的基础上 保留了一定的功率，真的非常的易用，也非常的方便，真的是摄影创作的一个非常好的一个得力工具。 nice。