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hey guys, i wanted to run through a setup information on the h six used mainly for podcasting this is a new version of this video that i did about a year ago didn't go into full detail i'm actually plugging in mics setting levels getting headphones plugged in things like that so i'm gonna do a little more in depth here i'm not gonna cover every single feature mainly going to run through things that you need to double check before doing podcast recordings because that's obviously what our focus is gonna be if you've opened the box for your eight six you see almost everything that's here on the table you have the unit itself obviously and then it does come with these two attachment microphones these are good quality mics and they attach into the front or i should say the top of the age six like so, and you can swap those out easily this is an xy pattern microphone this one is called a midside pattern microphone we'll talk about setting levels and things like that later on, but this does have a volume dial excuse me a gain adjustment dial just like the other inputs do so if you want to get a room recording for example or record a conference table or a live event or something without actually plugging in specific microphones you can always use this x y sounds pretty great and it does have a line in excuse me a line in jack on the side here, so if you wanted to say run a soundboard or some music from your phone into the a while you're recording you can use this eighth inch jack here to do that also we'll take lavalier microphones if you have an eighth inch lava mic, we'll plug in there as well usb cable that comes with this is used obviously with the h six and either to plug in your computer to use it as an audio interface you can also use it to retrieve files from your sd card without removing the sd card and then if you use a a brick that you would get from like an iphone charger you can actually plug this in to run power for the h six if you don't want to have batteries and have to replace those or get rechargeable batteries you can just use usb for power instead and then of course we have the sd cards i think it comes standard with a two gigabyte micro sd and this adapter two gigabytes for most people should be fine but obviously any sd card that you would want to buy you can definitely get something with higher capacity for longer recordings you will want to note that the more tracks you record the bigger the files are going to be so maybe you're safe with one microphone with a two gigabyte card but if you decide to record you know with everything on the age six that's six tracks and that's gonna be six times the space so you may want to get a larger sd card and then i have this headphone adapter which i'll talk about a little bit first thing i'm gonna do here is get some mics plugged in so we can see what that looks like with the inputs on the side of the zoom here checking levels making sure things are working so we have four input jacks here these are xlr combo inputs so you can see it looks like a normal microphone, jack and xlr jack but it also fits a quarter inch plug right in the center here so you can do either align in with a quarter inch cable or just a standard microphone of you have a guitar or something you can plug that in here as well and there's two on this side, two on this side, some of the info we have here on the side of the h six sd card slots headphone, jack headphone, volume, power button and on this side, the button and the scroller for the menu and the usb jack, the top is the connection for the xy and the midside mics, which we've mentioned already and then you have a line out and a remote slot here on the very bottom button here we're going to hold that down to turn this on and let's run through some settings here on the top of the h six, so i'm going to bust out an s and fifty eight microphone to start see sorry, i gotta move some things around here so your microphone cable i'm just gonna leave mine wrapped up for simplicity i'm going to plug the xy r excuse me the xlr cable the input and into the age six for this it doesn't really matter what input we're using if you are recording multiple people i would recommend making note of inputs one, two, three and four just for reference in post production and then we'll take the other end of this cable plug it into the microphone here okay, so a few things when you get ready to do recording and we'll cover some of the settings on the menu here in a second, i just want to run through this first, so as i mentioned you have a gain knob for all four microphones and the built in excuse me the xy mics if that was plugged in the gain adjustment here is adjusting the amount of signal you're actually getting from the microphone and when we plug in headphones later and talk about monitoring level just note that those are two different things so this is the gain adjustment that you're going to be getting from the mic itself so there's one for each input and then we have these are called the record enable buttons and there's one for l and r is the top here which isn't plugged in and then you have one through four for each input like this so we're gonna enable one because that's what input we're using right now the most important thing to check i would say when you're doing recordings is the level for each mic and make sure obviously you're recording with each mic because if you only have one selected, but you have four mics plugged in you're missing out on some of those tracks so just things to verify before you start recording we also have a pad switch here for each of the microphones so if you have a guitar plugged in for example that's going to be much higher level than a microphone would be so you might need to flip the pad button on and that just drops the input game negative twenty decibels, which will give you some more control for something that's a little louder or if you're piping in a soundboard or some music or something from a phone or an ipad or something like that microphone should not need the pads, so we'll turn that back off and then you will be able to start seeing here and i'm gonna switch cameras so you can look at the input level for this microphone so the first thing you'll notice here is the display panel telling you a lot of things the numbers on the top is the time code of how long you've been recording or if you're listening back the time of the file that you're listening to battery the location of your file so it's telling you what folder it's in and what the name of the file is and that's for on the sd card when you retrieve these files so you know which is which we have a channel strip for every single input, the sample rate and bitrate that you're recording that and then this is the important thing to look at the time left on your sd card so destiny card i have is pretty large this is telling me i have a hundred and ninety six hours of recording available so you just have hours minutes and seconds so before you start recording something i would always look at this if it's under an hour and you know you're going to record for you know forty five minutes to an hour or more that's obvious that you would need to either clear the card or get a bigger card to have more space so if i start tapping on this mic to get some signal you'll see that i have my volume or excuse me the gain of the mic is showing that i have a signal here on channel one and that's exactly what you want to see so when you have your mics plugged in and you're doing a sound check before you're recording make sure that you see input on all of these all these inputs here on the channel strip display that's gonna tell you exactly if it's if you're getting signal from the mic or if it's too high or too low so i mentioned the game control here so if i crank this up you can tell it's already unbearly even touching it and it's getting into the orange and into the red and then if i tap on it it's telling me that this is clipping and you can see a few things it's getting red all the way to the top of the channel strip and then the input is flashing it's yelling at me that the signal is way too high and when you plug headphones in and you monitor while you're doing a sound check you'll be able to tell this but these are just things to look out for as you're setting up so if you ever see anything even in the orange i would say is too high because you want a signal that is controllable so that way in editing you have room to increase or decrease the volume if you need to and be able to manipulate that audio so if it's even in the orange i would say that's too high for these sm fifty eights that i'm using and also the atr twenty one hundred which is pretty popular mike for podcasting i usually set this right about five excuse me sorry you cannot see that in my bed i usually set the inputs to five maybe five and a half and that seems to be standard pretty good volume for most people's voices but again everyone's voice and setup is different and if you're using different mics definitely do some testing with this before you before you are solid on what your input should be so once you know that you're getting signal from everything it's really simple make sure you have record enabled the tracks that you want to use and just hit the record button it will light up it will turn red and it will start counting time and it will tell you what you're recording is and then you'll notice here in the bottom, it's a little hard to see but the time code here the space on the card is going to go down as the recording goes up once you're done recording you just hit stop and now you notice you see here that this zoom zoom o two it change numbers that means it's telling you that zoom o one is recorded and now it made a new file and it's ready to record again if i record again it will now then create zoom three record there stop and then if i record again change it to zoom four so it just keeps creating new files every time you hit the stop button if you want to keep things on one single file you would just hit the pause button instead it will pause the recording keep the time code where it is stay on the same file and then when you want to keep rolling again just hit the play pause button and it will keep going these fast board, ryan and fast board buttons are for playback if you want to listen to what you've recorded just to audition things and play it right off the h six before you move the files off to your computer all right now it's time to run through some of the settings on the menu here again i'm not going to cover every single thing just mainly what you want to check out before you start recording we have sorry about that we have the menu button which opens the menu and goes back and then we have the scroll wheel here which goes through the options and if you click that in it will select options on the menu so let's open that up so i had to turn the camera exposure down a little bit just to catch this menu because it's so bright the first thing that you see here is the folder options once you record it will ask you in the sd card if you want to like group these into different folders if i default it will put everything in folder one but if you want to be organized you can open these up and then it will tell you that if you hit the record button it will select that folder to record to i recommend once you're done with the recording just grabbing the sd card and taking everything off of it and then wiping it from clearing it basically to start from scratch that's my preferred method but this option is here if you want to the most important thing is the input and output here so again i'm not going to cover every single thing you don't need to worry about the low cut or the comp limiter or the monitor phantom power is one of the most important things so some mics require extra power in order for them to work most dynamic mics don't need phantom most condenser mics do need phantom so based on what mic you have you want to check the specs on that and if it needs phantom power you have to turn that on from the zoom so you click the phantom to open it up set the voltage now almost all regular mics are gonna be plus forty eight volts and you can change this some lavalier mics might be twelve but again most regular mics that have an xlr connection you're gonna be forty eight so keep it there and then you're going to select which inputs are on and off so if all four let's say using four mics they're all exactly the same and they all need to phantom power you'll just select all turn it on and it will hit that for all four mics if you have like your mixing and matching then you'll need to pay attention to you know where they're plugged into which input they're plugged into and turn those on and off here in this phantom power thing so if you plug your mic in and you know you've turned up the gain knob and everything and you're not getting any signal chances are you have a microphone that is either not working or it most likely has phantom power and needs to be turned on in order to get signal from it plug in power is if you have a lavalier mic plugged into the x y connection that goes on the top of the h six that is a different kind of phantom power that's the twelve volt that i mentioned that needs to be turned on for a eighth inch lava mic going into the x y pickup monitor mixer this is something that you might want to check out so if you have let's see i'm going to open this and it opens up the excuse me it opens up the control surface that you see on the home screen of the h six so if you have headphones let's say you're splitting headphones between four or five people as your recording so everybody can hear themselves when you have an adapter that is not a headphone amplifier it will gradually reduce the signal so if you take one signal and you split it five ways that signal is now a little bit lower so what happens is a lot of times it's a little too quiet so if you have you know five people on headphones some people might want it louder somebody might want it softer also this is good if you have four people with totally different voices maybe somebody is really really loud and you have a solid gain level for them, but in the headphones they're kind of overpowering everybody this is a spot where we can turn down the volume level of individual tracks so at the top here it's gonna tell me what option i have selected so this is track left pan and then if i scroll it'll tell me track left level and then track right, pan, right level, track one pen and level, and that goes the same for all six of these options so if you want to adjust the volume of what you're hearing on track one you would push into select and you can raise or lower the volume here all the way up to twelve db if you need to for tracked one level hit enter when you're done and you can scroll through and do the same for trek two three and four this is not the recording level so like i said gain and volume different things this is the level that you're hearing things at so always when you are when you are doing the sound check and setting levels for the mics pay attention to the gain and make sure those are solid and and this is off of monitoring for when you're listening back to the headphones just want to make that clear you don't want to crank up the gain of somebody's too quiet because then you'll start clipping and you'll have a distorted track so you can and that will save your settings so every time you come in if we've set that to twelve it's going to remember that right here so if you want to set everything to twelve just for a louder signal by all means that makes it easier to set and forget you mean you should need line out level if you're going to take a line out of this which we said was on the bottom here you need to adjust that and this is where you'll do it here in the input and output menu a lot of this stuff you shouldn't have to change so recording format it's telling you that it's going to default to forty four point one k in sixteen bit that is standard for audio i recommend keeping that if for some reason you're doing mostly video content you may want to change this to forty eight and twenty four that is the standard for video but again the default format should be totally fine then you have a backup recording option so this is nice if you're not too familiar with setting levels and recording and things like that if you plug the xy mics into the top make sure those are enabled you can select this to do a backup recording and it'll automatically record a backup from the xy mics that twelve desk was lower than whatever input you set so let's say you set it to you set the dial to five you think it's fine and then once you're going through the recording people start getting louder and then things are distorted well the backup will automatically have a backup set for you at negative twelve and then that will basically save you if you have anything that's overly distorted it only does it from the xy mic so it won't record from all six tracks that way but at least it will save you you know if something's ruined the backup will probably save you you can rename how the projects are how the files are titled? so we saw when i was hitting the record button it was naming things zoom one zoom, two zoom three you can set that to be labeled off at the date if you want again i'm not going through absolutely everything the next most important thing that i would say is the sd card here so as i mentioned i recommend taking all the files off of the sd card once you record getting them on your computer so that they're safe and backed up and then formatting this card it will clear everything on the on the card so if you click that it will ask you if you're sure you say yes, it will wipe the card clean and it will put it back to its max capacity so especially if you're only using the two gigabyte card that comes with this thing i recommend formatting it every time and one thing to note is the first time that you plug the sd card in you will want to format it before you record anything and then the last thing is the usb option for to be the sd card reader or to be an audio interface with the daw like logic or adex to the air pro tools we'll cover that later once, we plug that in all right and then let's talk about the headphone situation, so we said we have a headphone jack here on the side if it's just you take a pair of headphones this has a core orange adapter so i'll need to take this off but if it's just you then you plug your headphones in here to the side once, you do that the display will default you can see it will tell you what the volume is and then once you plug the headphones in it will tell you what the headphone volume is because that's different than the speaker that actually plays here on the back and you can adjust that up to a hundred whatever is easiest for you so yeah i mean just one headphone when you're monitoring if it's just you if you have a group i definitely recommend having headphones for everybody when they hear themselves they record a little differently they pay attention to the mic placement how close and far they are from the mics things like that if they can hear themselves, so i definitely recommend headphones for everybody and there's two ways to do that one is with the split, so i have a balcon splitter that takes one headphone jack and splits it to five different outputs so you can just plug this into the headphone jack like normal and then everybody would plug their headphones into this instead, it works it's cheap this was i think twelve bucks and it gets the job done i mentioned talking about the monitor mixture that this kind of degrades the volume of the signal, so it might be a little too quiet for everybody to really you know be able to hear themselves and everybody else that's recording so the main way to do things is to run this into a headphone amp。 now i have one cable that i use for that for mine, it has the eighth inch headphone jack here and then this splits into a left and right quarter inch cable and most headphone amps are going to have a left and right input, might also say input one and two and then the headphone app will have two four or six or eight different jacks for people to plug their headphones into mine is a rack system so this is what a rack style headphone app looks like this middle unit that actually has the lights lighting up, i'm playing music right now in the background which you can't hear but it's getting signal it's a great way to tell so on the back of this thing it has two inputs, it has an xlr style input which has a left and right, and it has a quarter inch jack input which has a left and a right as well, so what you would do is simply plug the line out cable from the h six into the back of the headphone app and as you can see it has channel one through six and the nice thing about this is that everybody has their own volume, so they can turn their own headphones quieter or louder if they want to and it has even a bit of eq it has a base in a treble knob, so you can if you like it more basie you want to hit the low end of people's voices you can totally adjust that and personalize it and if you have maybe one of the smaller bearings your headphone apps or something they don't have a split left and right input it's just one single quarter inch stereo input, so you need a different kind of cable for that i will make sure to link all the links to all of these items on amazon so you guys can just click that and order whatever you need to order but essentially it'll be the same cable eighth inch on one end but it will have a single quarter jack with two rings on the other alright, so before we wrap up i guess technically i didn't show exactly where the sd card slot is so this just prize open and the sd card is in there push in wants to take it out put on a computer shove it back in and then format it and before we wrap things up let's do the last part which is going to be the usb connection so just take this cable that you have and the smaller end will plug into the jack here on the side of the h six and the other end is going to go into your computer and then once you have this plug into your computer we're going to go back to the menu and go down to the usb menu here, which we have shown up select and and you have the two options so you can open the card reader and that will just make the h six show up on your computer like it's a flash drive or something and you can look at all the files on there or the main reason you would want to use it as as an audio interface so you would select that and it's gonna ask you stereo mix or multi track so stereo mix no matter how many inputs you have recording it's gonna sum all of those down to a stereo mix so just one one left and right and then if you want to actually record individual files so up to six at a time definitely hit multi track and that's gonna ask you if you want to use battery power or not so if it's usb, it's plugged into your mac or your pc it's already getting power from that so you can select that option and then it will show you here like your channel strip like you normally would it will show you the inputs it will show you volume levels once you start recording have the mics plugged in, but you notice a lot of the other parts of the display are gone because that's going to be handled on your daw, so let's switch over to the computer screen so here i have just a blank logic pro session open and ready to roll now this is going to look slightly different based on whatever d aw you're using but in general most of the names and the settings and things are going to be pretty uniform at least selecting your audio device and things like that so in my logic pro menu i'll hit preferences go to my audio preferences and if i click my input and output device here i should see the option for the h six which i will hit now it will let you a d aw will let you choose different input and output devices if you want if you were to do that you want to pay attention to where your headphones are going to be plugged into so if your output device is selected as the age six, then your headphones are actually going to be plugged into the headphone jack on the h six and it's going to feed that audio back out to you if for some reason you had headphones plugged into the mac instead of age six, then you would want to change this to built an output or if you have a different daw or whatever just make sure you have that selected the right way so we'll apply it will activate the h six and then you can make as many tracks as you want let's make six let's shrink these a little bits you can see them all and then you're gonna have the input selection for all of these tracks so the tricky thing to notice here let's i'm going to click my input drop down the l and r so the xy mics that you would plug into the top of the zoom those actually take input one in two so you want to note that say you have a mic plugged into input one on the zoom that's actually input three and that lines up with how the record enable buttons show up from left to right on the zoom l and r are first so that's that's track one and two and then mike one is track three mike two is track four etc etc so the beast be aware when you have those plugged in if you want to record all six, i would just run through these and select input one, two, three, four five and six and you're free to label these change the title of the tracks that you know you know if you want to put people's names as the name of the track or you want to put mike one like two whatever, it's gonna be so let's do that really quick two so i'm gonna say l r one, two, three and four bone now if i record i will no exactly what i'm working with so from earlier i had my sm fifty eight plug into input one i'm going to plug that back in i'm going to record enable track one and you will see i also need to record enable track one here in logic again every d a w slightly different the chances are you need to enable recording and enable monitoring here in logic pro, so you can see i'm getting signal here from my s and fifty eight if i record enable the rest of these you'll notice they are not getting any signal whatsoever because i only have one mic plugged in so if you're using your eighth six as a monitor or excuse me as an interface same thing that we went over earlier with sound check and looking at the levels make sure if you have all six mics that all six tracks are getting signal before you start recording it's an easy way to check and again make sure the levels are good you can see here i'm getting close to the orange if you look here when i'm tapping on this mic we're getting close to the orange so you might want to dial that back just a little bit and that is it so using it as an interface is pretty straightforward the only thing to look at is the the names of each input check your gain and you're good to go there is a spot here for a typical camera stand adapter so if you wanted to have this on a camera stand or mount it to the top of a camera that's there on the back as well and there is the speaker so if you do want to play back tracks that you've recorded without headphones it will play it here so you can kind of monitor and listen to those in between takes and then obviously the batteries are here in the back, i have rechargeable batteries for this i find that it's pretty good on battery life and if i record for you know two hours or less i haven't had any issues even without the four tracks so if you're not gonna be doing anything super long you may want to just get some rechargeable batteries and use those instead of having to always have this thing plugged in and near an outlet if you're going to go longer than that probably good to have a usb plugged in for power, so just to wrap up and clarify things most important stuff is definitely gonna be the gain remember gain is different than volume so when you put your mics in and you're doing sound check make sure you have the gain set properly for all four inputs if you need to run an xy mic or you need to run a line in from something don't forget about your xy attachments they go here on the top and the athens jack here on the other side and then in the menu the monitor mixer if you need to adjust the monitoring level for any of the tracks and then finally make sure you have selected exactly the number of inputs that you want to record so if you're doing all six make sure you have all six actually lit up and selected and then those are the main things i mean once you're good with that you're good to record there is a way to join these inputs, so let's say you wanted to record tracks wanted to and put them on one stereo file instead of an individual mono file if you press both of these at the same time it will either join them or unjoin them i think they were already joined, so let's push that again yeah, so now if i select one and two it will highlight both of them at the same time that means it's gonna record them one will be all the way to the left channel and two will be all the way to the right channel on one single stereo track, so for some reason you want to record that way and then if you want to turn that off just click them at the same time again and it will put them back to individual inputs, so that's everything chances are i've looked over one thing or said one thing silly, so if anything is unclear, please just leave a comment i'll try to get back to everybody if you have any issues with this or things you want to add yeah just drop a comment we'll make sure everything is up to date and accurate all right, thanks for watching。

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抖比出了个播客工具,叫 podcast 点 adobe 点 com, 据说是就算有个吸尘器在你后面唱,他都能把你的声音变成录音室的效果,咱就来试一下。首先要点 try 啊,刚好我老罗的那个视频在外面拍的,那声音非常糟糕,给先给大家听一下,咱们透露一下吧, 就是电竞。那我直接把这个音频上传,大概需要等个几分钟,因为我这音频还挺长的,大过了一分钟已经好了。哪一类的品类能透露一下吗?就是电竞,电竞,电竞怪兽。 我们玩游戏是不是需要那种游戏键盘,游戏鼠标?我们进游戏也需要有有手机游戏的那个啊, s three。 哇,我本来还想买一个 dji 的无线麦克风呢,现在感觉可以用耳朵比的 park cast 来清理这个音频了。

现在你也能做顶级调音师,而抖币的 ai 音频编辑工具 parks 正式上线,你敲敲键盘就能直接对音频进行修改,多人录制像喝水一样简单。最关键的是,你 再无需担心嘈杂的环境影响音频质量。 hotcast 强大的 ai 模块能自动帮你消除任何背景噪音,让音频听起来完全像专业录音师出品。咱们一起听听这两段音频。 yeah, so i was waiting for the q train as usual when my air pots died yeah, so i was waiting for the q train as usual when my air pots died。 二者的差距简直显而易见,它使用起来十分简单,你只需拖动想要的音频到达指定窗口, ai 就会在数秒时间内完成语音登墙, 并反馈给你满意的结果。而且整个使用过程完全免费,这你难道还不心动吗?每个人的心中都有一个伟大的想法,正是 ai 的魔力,使我们能够制作更好的音频,去让世界更好的倾听我们的想法。 ai 时代日新月异,让我们不断学习,去争当时代浪潮里杰出的演讲者吧!

视频配音大多数非专业人士都会使用手机录音,而不是昂贵的录音设备,但是这样做的结果就是太多的噪音导致音频质量差,给观众的体验十分不友好。 本期 ai 工具测评的主角就是一款能将音频质量提升至专业录音水平的 ai 降噪工具 adobe podcast, 没错就是 ps。 他们家 这款 ai 工具的使用方法也非常简单,只需要将音频文件拖入,等待几分钟即可生成专业级别的音频文件。耳朵灵敏的朋友们可能已经听出来现在音频有很多的噪音, 因为这是使用手机录制的。接下来就是见证奇迹的时刻,我们打开增强音频功能,你们能听出来现在音频的区别吗?我们制作的所有视频、 电影都会使用这款 ai 工具进行音质提升,个人感觉这个效果十分优秀。除了音质提升功能外, adobe procast 还包含了 ai 麦克风测试,用来测试麦克风的最佳收音效果。 目前 adobe popcast 处于 bada 阶段,感兴趣的朋友们一定要去尝试一下。推荐指数,五颗星本期的 ai 测评就到这里,如果不想错过适合自己的 ai 工具,那么记得点赞关注我们,下次再见!

如果你需要一款零延迟的效果又非常不错的降噪插件呢,这个真的是相当好的选择,来自于 cleveland the brush free。 大家好,我是 alex。 这个 bushree 这个名字看着很奇怪啊,但是这个在瑞典语里面是噪音降噪的意思,可能是噪音 free 就是降噪。咱们来看一看这个插件呢,其实用起来还是很简单的,首先第一点呢,它可以做到零延迟,只要你把这个 look ahead, 大家可以看到这个地方有个 look had 这个预判关掉。很多人希望这个能做零延迟,是因为大家可能有的是唱歌的呀,或者是直播呀之类的,需要一个这个这个 look had 呢,一般来说开开以后会很大程度的帮你去更好的降噪,因为他可以提前看到你的信号。但是呢, 既然你如果需要这个零延迟的话,你可以把它关掉,我们先听一下,我大概就录了三个声音,然后呢可以让你感觉到一下他在不一样的场合下可能会有的降噪的效果。我们先听一下第一个,第一个呢会有一些这个空调的噪音, ok, 所以接下来这段音频呢,实际上背景中有很大的空调的风扇的声音,我现在把空调开的是你现在听到呼呼呼的声音,是因为这个风吹到这个麦克上,非常大的高的风量,我躲开一点,这样的话呢,有背景的声音,不会有特别多的风的声音, 现在空调的噪音听起来是这样的样子,现在都是空调的噪音, 噪音还是相当的大的,而且这个是用一个那个自动 h 六,然后手持的那个小的录音就就是这个东西,就这个东西,然后我就用手 上面这个立地声,这个录音质一般吧,他可以做一个录音笔是这样子用,但是呢尤其是在噪音比较大的环境中,可能会有一些问题,所以呢在我们用这个插件的时候呢,你使用的时候你可以这样,如果你处理一段音频的话,比如说我现在这在这个地方有噪音, 你可以把圈选上,然后呢去循环,同时呢按住这个 learn, 然后开始播, 你再松开还能有一些,这个时候你可以通过这个预值降低,直到这个声音几乎没有了, 对,这样的话呢,他会学习你这个声音里面的噪音,因为你给他听到的是 想去掉的部分的噪音,记住了,这个风吹的轰轰轰的那个声音是去不掉,这是任何软件都没有办法帮你去掉的,所以这时候如果我们从头听的话比较安静, ok, 所以接下来这段音频呢,实际上背景中有很大的空调的风扇的声音,如果没有这插件, ok, 所以接下来这段音频呢,实际上背景中有很放进去大的空调的风扇的声音,我现在把我们调到这个地方听,这样的话呢,有背景的声音不会有特别多的风的声音, 听起来是这个样子,如果没有放插件放进去,所以呢它对这个声音的处理还是相当不错的。然后我们再讲一下这个下面的这个 tech release, 这个预值呢,基本就是你往下拽的话,它会降噪降得更多,你可以拿它去调整,你也可以用这个 learn, 然后这个启动时间呢,一般来说你就放在零毫秒就可以了,他基本上就是他基本就是多快开始去降噪,然后这边呢,这个呢,这释放时间一定不能太短,如果太短的话你就会出现,因为太短的话他会马上释放回来,以后呢,他要重新再去检测噪音再去降,就有这种问题, 如果你放到一毫秒的话,出来就是那种声音,这样的话呢,有背景的声音就完全是多的,风的声音完全是过载的,所以你把它放到差不多一两百毫秒,三百毫秒,这样的话呢,有背景的声音不会有特别多的风的声音, 对,是这样,所以呢,我们再来看一个镶琴的,同样的一个环境下,这是一个用同样的设备录这个镶琴的声音,我们听一下后面如果没有插琴是不是有噪音, 你可以听到这个位置一直都有这个噪音,还有一点水的声音,就是我们家猫那个喝水的那个小喷泉。 ok, 我们现在学习一下, 好,基本上没有了,我们从头听,接下来我们试一试香琴,在这种噪音的环境下, 这样听起还是不错的,记住了,释放时间不要太短太短,就这样稍微可以长一点是没问题的。 如果这种乐器的东西呢,如果你觉得你的降噪,尤其是降噪,很多时候会去掉一些频段,你可以用这个高频稍微补回来一些,如果没有的话是零 d b 是这样,他会帮你把特别高频的补回,稍微的 提升一点点, 就不会有那种降噪之后特别的闷的那种感觉。然后这个 smooth 呢,就是平滑程度,实际上你现在听不太出来有什么区别,除非你去听它专门的这噪音的部分, 默认的时候他就放到零,这个时候呢,如果你开很短的释放的时间,你能感觉到这个 smooth 有用, 我一般呢还是习惯把这个释放时间稍微开的长一些,这样的话声音会比较平缓一些。然后它这块还有一个 s c hyperspelter, 侧脸里面去掉低频的,可以帮你更好的去控制 去去掉那种嗯的那种电流声啊之类的。我们最后呢再看一个镶琴的,跟这个是一模一样的环境,但是里边有些吉他音箱的噪音,吉他音箱的噪音,对我我还给自己提醒了一下,有一个滋滋一个一个单线圈接头的声音,我们也是通过这个东西来学习一下, 好,我的声音在里面有一点没关系,这只是我提醒我自己电流声没有就可以了,所以这时候如果我们去听的话, 没有的 他多少还是会对声音有一点损伤,因为所有的降噪的插件都一样,他的工作原理是帮你去掉你声音中的一部分,难免会伤到一些,但是呢你就要需要去权衡你的噪音和你想要的音质等等。 就好像我是一个从来不用噪音门在吉他音箱或者吉他上的人,我也不在乎那些噪音,但是有些朋友可能喜欢这种完全没有噪音的声音,就需要去牺牲一些音质。然后最后这个地方还有一个 mix, 你可以降一部分的噪音,有一半降噪一半不降噪, 如果降了噪以后你会发现这个音乐就没有噪音,没有那个电流滋滋那声音,如果 没有的话。 对,所以呢这个插件还是相当相当的好用的, 我现在一直都把这个 look 嗨的关掉,如果你把它开开的话,你是做音频处理后期处理的话,你把它开开以后呢,他会更有效的去去除这些噪音,尤其是对那种特别特别快速的音头的那种噪音。所以呢,如果你想要一个零延迟,完全没有延迟差劲,可以用这个把 look 嗨的关上。如果你实时的去使用这个的时候呢,比如说你 适时的有语音输入,你就点住这个以后,然后让你的麦克去识别你周围自己的噪音,你不要说话,不要出声,然后打开基本上一直就好了。或者是你在 处理的时候自己听一下说可以把这稍微往下拽一些,或者放到一个合适的位置,去掉你周围的噪音。 ok, 那有机会的话可以去试一下来自于 cleveland 的 bush free 降噪插件。好吧,那咱们今天就先聊到这,感谢大家支持跟我的电视频道,咱们下次再见,好好学习,天天向上,拜拜。

一分钟教大家如何用手机录出百万录音棚的效果。给大家介绍一款王炸级的产品, adobe 的 podcast。 这是 adobe 出的一款 ai 收音工具,能够把低质量的音频变成像在专业录音棚录制的声音效果。 温网展示的效果是这样的,这个是修音前的音质。 i'm in a conference room with the window open and it's pretty echoey in here too not the best place to record audio。 那这个是增强后的效果 with enhanced speech all of the back on noise and echo is gone。 随便录一段给大家看看实际的效果。这个是修音前的效果,这里是升降一个喜欢捣鼓各种工具的 up 主 那这个是修音之后的效果,这里是升降。一个喜欢刀布各种工具的效果非常好,他不 不仅能够去掉环境音和底噪,还能够把干瘪模糊的人声变得清晰和饱满,甚至连背景音乐也可以直接去掉。试完之后,我都后悔自巨资去升级我的麦克风了。
