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just try not to wait until like me you're twenty nine before you find it i didn't want a day job i was an actor i was a writer i was a bennington graduate i had to get a day job i dusted pianos at a piano store on leadlow street for five months i worked on the property of a shakespeare scholar for year pulling weeds and removing bees nests i packed the life that i knew with socks and a toothbrush into my backpack and i slept on couch after couch after couch after couch what i didn't want to think about is where i would be tomorrow after two years of job and couch surfing finally i got a job an application process i hated that job and i clung to that job and i stayed for six years when i was 29 i told myself the next acting job i get no matter what it pays i will from now on for better or worse be a working actor walking away from data processing i was terrified ten years in a place without heat six years of a job i felt stuck in i was afraid of change are you but something good happened i got a loping theater job in a play called imperfect love which led to a film called thirteen moons with the same writer, which led to other roles which led to other roles and i've worked as an actor ever since the moments that define you have already happened and they will already happen again you'll find your rhythm or continue the one you have already found just try not to wait until like me you're 29 before you find it some of us never find it, but you will i promise you don't wait until they tell you you are ready the world might say you are not allowed to get i waited a long time out in the world before, i gave myself permission to fail please don't even bother asking don't bother telling the world already show it do it what did that could say ever tried, ever failed, no matter try again, fail again, fail better the world is yours。

你好,今天要给你介绍的这本书严格意义上其实是一个剧本,一九五三年,以这部剧本打造的话剧在巴黎的巴比伦剧院完成了首演,随后迅速成为了当时文化界热议的话题, 接着连演了三百多场。可是这部戏却非常的怪异,没有情节,没有戏剧冲突,没有人物形象塑造,只有乱无头绪的对话和荒诞的插曲,何以具有如此的艺术魅力呢?那咱们今天就来介绍一下这本荒诞的书,等待歌多。 等待哥多的作者是爱尔兰著名作家、评论家和巨作家,诺贝尔文学奖德者萨米尔贝克特,本书写的是发生在两个黄昏的事情,但是没有什么情节可言。主角是两个流浪汉,背景是一片荒野,路旁只有一棵枯树。两个流浪汉就是在树下 等待着一个叫哥多的人,他们一面坐着闻着臭靴子之类的无聊动作,一面在语无伦次的孟异。两个流浪汉的主要任务便是等待哥多, 至于哥多是谁,他们为什么要等他,并没有人知道。于是故事便在等待哥多这一幕的指引下展开, 并且不断的循环往复。主人公,两位流浪汉每天在同样的时间,同样的地点等待着哥多,在等待中,他们没有什么事情可以做,他们吵架想上吊,他们吃胡萝卜。至于哥多什么时候会来,会不会来,都是一个未知数。 迎接他们的只有一个报信的小男孩,告诉他们,哥多今晚不会来了,明天晚上一定会来。于是第二天,两位流浪汉再次相遇,机械的重复昨天的一切,然而等待他们的永远只有哥多明晚会来。正是在无望的 等待之中,他们的生活失去了本该有的意义,生命存在的价值也变得虚无缥缈。而这也正折射出当时社会的罪恶和灾难,使得人的人格丧失,个性毁灭, 人与人之间已无法沟通,即使周围有人,但是却让人产生无人理解的易极之感,人们处在一种生死不能的尴尬难堪的境地当中无法自拔。 等待哥多历来被认为是荒诞派戏剧的经典之作,荒诞牌戏剧反映了存在主义的哲学理论,世界是荒谬的,人生是痛苦的,人不过是偶然来到世上的过客,受到社会现实的挤压,生活在无尽的孤独、失望、恐惧和谬悟之中。 荒代派作品描述了异化的世界,使人产生荒诞感,然而就是这样的现实生活中的一种反应,揭示了现代人生活的困境和精神的恍惚,具有强 强烈的真实感和浓郁的现实抑郁。相比人们关注谁是歌多的问题,贝克特更着重描写的是等待的主题。通过剧本的重复结构,贝克特把等待变成了人类生存状态的隐喻, 揭开了当代人生活当中的荒谬和非理性,同时也提示我们确定性、意义、安全感等人类赖以生存的心理基础是多么的脆弱,不堪一击。好了,等待更多就为你介绍到这里,我是柱子老师,关注我,为你推荐更多好书!
