秦腔木偶自制教程

如果你有一个小纸杯，那强烈建议你做一个会动的纸杯木，你可以做成小丑的模样，当然也可以做成这样可爱一点的，不同的主题玩起来会有不同的效果，制作简单，非常好玩。下面我们一起来看看制作方法。 首先准备一个小纸杯，用彩色纸条在外面装饰一下， 纸杯底部中心打孔，按照视频把杯子两侧也要各打一个。 下面开始做小丑的脑袋，大家可以根据自己的喜好自行设计，这里的纸张建议用硬一点的卡纸来做，再做两个小手就大功告成了。最后是 组装部分，找到三根吸管，分别插在刚才的三个孔洞里，大家注意纸杯里面的吸管是有两根弯曲的，用胶带按照视频把三根吸管进行固定， 最后把脑袋和小手安装上去，胶带贴在背面固定，就大功告成了。这款纸杯木偶的做法比较简单， 他可以做成不同的人物，展现出不同的效果，大家有时间的话一定要做一个。

请问皇位这点疾病轻重是何药价的沉重了？ 好好教养，不怕水母，教养不好也是个枉然 天下命不好就该夺命一归之主，你看先生未来 你这黄被我是怎样的， 为我对自己 参见皇爷啊！先生到了，先生快快平身 皇爷的恩款， 先生，王爷你进前来吸收大师托于活人之章， 托运了胶州蒋晚、吴亦马代四人之长，他四人之长过去我才得。 你放心， 光刷墙我就会看人家打麻将。 黄泉根在河北，香味也是如期。来见将军你的好心有了，出账去吧。 先生，王爷，你看马叔此人如何？其实中用， 哎，不成功再见不成功你此人不过是言过其实，粗心担当， 古琼演讲千万莫要正用此人，大用此人呢。失去古琼的冲突，古琼我死不瞑目， 看接下来啊，先生，王爷，顾琼上天之后 你就扶持我都往南登记，他若不看你就为成都之事。哎呀，皇爷 为臣鞠躬尽瘁，干恼徒弟。谢谢夫子，先生快快平身王爷的恩宽， 这是先生皇爷过穷生前之后 千万莫叫我司机出征，出征怕在的将军阵前，身在从前过去，我死不瞑目，谢谢了。 啊啊 张家花 啊哦 dad 那啊 啊啊啊 帕利奥先生王爷， 哈哈哈雕不值 我天呐，放下把命 我的感受，感受到人的一生， 忘掉九皇帝。

string puppets also known as marionettes are an ancient form of performance it's not known exactly when or where the first string puppets made an appearance， but it was thousands of years ago today they've still got what it takes to entertain audiences worldwide digitized characters may rule in the movies but on stage there's no doubt that string animated ones can still dazzle audiences a few movements of the puppeteer's hands and some fantastical characters are brought to life behind the scenes making these marionettes is a major production each one is painstakingly handcrafted in a process that takes weeks it all starts with an idea the puppet maker draws several sketches of the character tweaking the features until he satisfied he then draws a full scale version of the marionette referring to that scale drawing he sculpts the head in clay building it onto a wooden framework known as the armature the clay is oil based it doesn't dry out as fast as the water based kind so there's time to tweak the sculpture and perfect it lines drawn for reference make it easier to position the nose eyes and mouth he defines the mouth a little more to give it a petulant expression he smoothed the top of the clay head using a looped sculpting tool and his thumb with a caliper tool he constantly compares the dimensions of the sketch to the sculpture to ensure that the head won't end up too large or too small once the lips and other features have been smoothed out he prepares to make a plaster mold of the sculpture he divides the head into four sections and he outlines a trap door at the back of the head for easy access later he inserts metal shims along the dividing lines he's essentially building walls to contain molding plaster the shims will also ensure that the plaster once hardened can be removed from the clay sculpture in four intact pieces the plaster has been mixed to the consistency of cake batter he scoops a generous amount into a walden section of the clay sculpture the plaster generates heat as it hardens and sets it then cools for about half an hour he removes the shims that surrounded he then uses those shims to wall in the next section he adds more plaster to build up this part of the mold when all four sections are complete he gently chisels them at the seams to separate them he opens the mold and removes the sculpture its image has been transferred to the inside of the mold the sculpture is no longer needed and he's ready to cast the puppet head using the mold for that he uses plastic infused cloth squares softened by solvent he transfers the squares to the mold sections and layers them paper mache style a release agent applied to the mold keeps the squares from sticking to it as they begin to adhere to each other and in the process conform to the molds curves and crevices with squares now applied to all four sections he puts the mold back together and joins them at the seams after ten hours it's time for the big reveal all those little squares are now one solid marionette head the casting looks pretty rough at this point so he covers the entire surface with plastic wood what a difference sanding the plastic wood makes he then paints the head and cuts holes for the eyes and mouth from the inside of the puppet head he attaches springs to enable the mouth and eyes to open and close over in the paint department with every stroke of the brush the puppet becomes a more colorful character with their string operated limbs marionettes can imitate almost every human or animal gesture the more joints and strings the puppet has the wider the range of movement and the more life like the character becomes before the head of the penguin puppet can be attached to the body it just needs a few more dramatic touches like curly fur yes in the fantasy world of puppetry anything is possible even fur on a penguin he traces the pattern on the reverse side of the furry fabric and cuts it out from that side too to prevent any snipping of the fur on the front he stitches the darts together to conform to the shape of the penguin head this process must be repeated for each fur covered part he checks out the fit and confirms that it achieves the desired effect satisfied with the results he moves on to the eyelashes he traces the pattern onto rubber and cuts the lashes out to accentuate the eyes the lashes are substantial he inserts a pair of lashes into slits in each wooden eyeball from head to toe no detail is overlooked here he glues rhinestones to shoes for some serious on stage bling he's now ready to build the torso and limbs of the marionette he traces the pattern of those parts onto blocks of poplar， hardwood and then carefully cuts them out with a bandsaw， this particular part is a hand for the penguin character the initial cut is rough and needs fine tuning so he chisels away at it to remove excess wood and define the shape he files it with a rasp to round the profile it takes about five hours to produce just one puppet hand the other parts receive an equal amount of attention because with ball and socket style joints each limb must fit smoothly to the next he attaches the two limb segments with a hinge made from a kind of fiberboard the same material used to make steamer trunks he confirms that the joints will move freely under the costume when the marionette body has all its moving parts it's time to stretch those limbs so they suit them up and thread the strings from the puppet to the correct spot on the controls the control bars are shaped like an airplane they're known in the world of puppetry as an airplane control the thread they use is fishing line because of its strength they run nine strings or more depending on the complexity of the marionette， some of the strings are for support some for movement and others for effects like nose growing or ear wiggling of course the string placement is crucial for proper movement with the strings strong and well knotted the marionette body comes to life and now the defining moment they attach the head to the body it's a good fit this new character is almost ready to meet his audience all that's left is to run the strings for controlling his head and facial expressions and a little accessorizing they now manipulate the strings to check his limb dexterity and the movement of his mouth eyes and eyebrows this marionette is now ready for the stage between shows he reclines after all you can't always be on incredibly it takes up to fifteen hundred hours to create each one of these marionettes after all that work they're ready to cue the talent。