奥沙利文大师课程在哪看

yeah， today， we're going to talk a little bit about curactions and one particular curaction that i want to talk about today will be sure murph is known as one of the best curious in the game， the total purest of curactions so here i'm gonna show you a little demonstration of why so murphy has so much cue power so much consistency and something that a lot of people at snooker clubs could probably incorporate into their game the modern day plow was based on a guy called joe davis and steve davis followed a lot of his examples so the idea of a good correction is to try and keep your cue as parallel to the table as you can so try not do too much of this always trying to be here and if you want someone to show murphy is as flat and as parallel as most players would be on the circuit so you get down to the shot here you try and have a straight right leg a little bit of a kinking your left leg so you have a good base a little bit like a tree so the roots have to be strong to incorporate to make this all work and good upstairs so sure murphy would be a bit like this and another thing that separates murphy from a lot of the players he's able to open his backhand at the back as well， which has allows him to get much more power some of the players have a lot thing and sometimes there's not as much fuel there so that's another one of the positives of sure murphy's correction so he would play a blue a little bit like this so he's got a nice feather， nice river， mitt and the back hand will open and he would just power through like that so that's what makes sure murph is such a great correction。

not the best long pot ball pot myself i'm gonna try and talk you through the fundamentals basically of how you should try and pot a long ball so i don't know if you've read the joe davis coaching book， but he would always say concentrate on horizontals and parallels so horizontally you want the cue to be going through that's not horizontal this is horizontal so as to be as flat as you can i'm trying to get your chin down to the cue so it's up a rifle of the gun you can see along the line you want to try and do like a piston type action so the q is backwards and forwards none of this scooping business so now you're very confident you're going to hit where you want to hit on the white and as you pull it back on a little pause and then it definitely strike and as you want to try and hit the ball as solid as you can because then it help keeps the online because anything over distance is gonna be exaggerated， so very important to get a very solid strike and try and keep the white online as long as you can。

the right many things better than making a one four seven at snooker and today i'm going to be showing you how i will go about making a magical one four seven break this is a type of opportunity that when it presents itself the first room that comes to mind is a 147 you've got maybe six seven eight reds out in the open the black is not tied up so there's no excuse for not being able to get a red black red black， so we have a simple red to start off with and each ball that apart will be played with a stun screw or a run through shop i've screwed back a long list line here to try and leave myself a perfect angle to either just follow through or ideally or would have like to been here but the whole point of making a one four seven is always trying to leave yourself options， bit of screw and a little bit of side to bring me over towards the black now， i'm going to purse slight little run through try and always leave myself an angle on the black you don't ever really want to get straight on the black because all you can do is go forwards and backwards if you're straight there you go straight in the middle， a lot of people always ask me how many shots i'm thinking ahead and in this instance i'm thinking i want to clear this red get onto the black to get on this red so three shots ahead here and i've gotten the black perfect i'm using that red as a blocker to stand the black and this is where i've made a mistake i've tied this red up， i've now got this plant in the middle， which should free up a couple of these reds got a slight angle on the black which is going to take my white out to here i'm going to play for this red in this corner i've left myself a slight angle on this red here so i can even stun it in or i can just run it through and play a little cannon off of this which will open these two up， so i found going to play a little cannon shot oh got through the gap i've got myself a tough shot on this red managed to pop that one and it's very important to get an angle on this black near to dislodge these two reds gets into potable positions it's come out perfect oh left myself a bit of an angle there too much of an angle so what i might have to do here is screw into here try and flick this right over the corner screwing on the block and you can't play it any better than that i've managed to put 14 reds， 14 blacks and there's got the perfect opportunity to pot this red get myself on the black now the difficult shot here is leaving myself the right angle on the black to get to the yellow， but at this point a drilling is taken over so you're thinking i've just gotta trust my ability now and now i'm going to run through a sequence of how our nomi pot the colors here we have the yellow a lot of the shots that i've been talking about all fruitish break have been little soft stun screws so it's very important you start to try and perfect that shot but again little soft screw to try and leave yourself a nice angle on the brand to take ourselves from blue to pink it's very important we stay this side of the blue we come around here it means we got to go all the way around the table and again you want to leave yourself just below how bad there is okay so now i'm feeling really confident i feel like i'm probably just one shot away now from actually making the 147 and that's the shot now you can't fell nice and firm straight through the ball and it goes there you go or one four seven。

here i'm going to show you how to use the rest or how i use the rest a lot of players use the rest differently， but most of the top players it's all like pretty much the same foundation so you get all of the rest a lot of players to see down the club they have the rest like this and they're over here and i'm thinking oh there's look at that gap between the rest and the cue what you want to do is you want to try and bring it together because the rest is a guide like that it's aiming over there you're over here you want to keep everything down the line so i bought the cue an arresting line and now i have this so i've got my hand underneath the rest the rest can move， but you want to try and keep it as sturdy as you can if i'm not the rest ain't sturdy that's moving your cues moving so we kind of want to bring everything together get that there now that best carp move it's rock solid so i've got my hand underneath， it's wedged in here it's on my forearm that ain't going nowhere you want to get the cue in your hand you don't want to be too high， you want to be too low and it's sort of like two fingers you can use one you can use two you can use three but again you want you don't want the fingers going across i like to have the fingers going down the cue， so the fingers are going down the cue everything's going in that direction a little pulls on the back swing and then a good positive follow through and always say to most people when you go down the club a lot of people want to pop balls try and get five or six shots with a rest and it doesn't matter where it is even here just get used to having the rest in your hand it's like anything you get a feel for it it doesn't matter you kind of get comfortable with it that's what that's what a lot of club players that i see dana club struggle with the rest so just just get familiarized with it， but that they're the basic principles for how to become a more consistent rest player。