金属电吉他拼装教程
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02:51查看AI文稿AI文稿diy 组装一把 st 款吉他 st 铝合金护板背板好风木情景玫瑰木质板， 琴体采用沼泽层木，重量两千两百二十三克。定位打孔威尔金森琴桥定位打孔琴体分析 喷漆工具完毕安装落分石英器组成，做好屏蔽后接通地线接线 护板定位好恐惧安装螺丝 测试，地线已完全接通 秦桥安装，避免飞田 弹簧钢钻头焊接平底线 陷入情境 前景螺丝固定 安装电尾吸帽及档位吸帽 安装提前调试手感。
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02:29查看AI文稿AI文稿今天来设计一套果味的套餐啊，那映入眼帘的是一块降噪，既然添加了一块降噪，那说明我们这个套餐肯定是以偏重型为主啊， 那眼前的主食人员是一块非常帅气的白色肚把， heavy metal， 隔壁的这一块是 dumbo 类的真 drive。 旺财 周边依然选择我们最经典的天空合唱和葡萄岩石混响，使用了一块性价比非常高的帆船混响，那为了方便大家平时的练习，依然加入了一个路谱。 首先我们就需要将每块效果漆的脚垫揭掉，这是为了将效果器和我们的效果漆板更紧密的连接，防止在踩踏的过程中发生晃动。接下来我们的金牌厨师将每个单块翻了个面，开始贴胶， 将魔术粘剪成大小合适的形状，贴在效果器与效果器板直接接触的位置，这样既可以节约我们的魔术粘，又可以让效果器粘贴的十分牢固。这边来一个十倍加速， 粘完魔术胶以后，我们就需要将效果器线连接上，同时我们看到这个板其实是有点满的啊，那我们就需要微调一下每个效果器之间的间隔，也需要适当的将线错开，这样可以节省大部分的空间。 调整好位置以后，我们就开始将电源线依次连接起来， 我们这边从下面的这个孔插入啊，这样可以让整个线连接的特别牢固。 连接完电源线以后，我们就可以将电源线固定好，然后开始效果器的测试。那这样一套你们觉得卖多少钱合适呢？
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11:21查看AI文稿AI文稿my name is carrie pelchat i'm the final assembly electronics manager i've been up here for us for about fifteen years and let's get to it so this is nancy dennis she is part of the kit room what she's doing is printing out the paperwork and looking at the moncat and what this particular guitar is calling for and she grabs all the parts she picks out the pickups the drop in and the jacks tuners so after the kit is fully assembled and ready to go she walks it out to the guitar that the kid is waiting for places it there and then the next step is the tuner installation guy who this is coal he reams the headstocks opens up the holes make sure everything's reamed out good enough， no marks or left and he also installs the grommets if needed so the reason why we take the finish out of the holes is because paul smith was like everything to be touching pretty much bare wood this helps with potentially more resonance with the instruments so next we have jp he is doing the other side of the pre assembly work tuner bench he is reaming the bridge holes opening them up just a little bit enough， so we can push those tiny plugs through so this process he is pushing out plugs so we want as little finish as possible like inside those holes the plugs do that for us so we can have the screws touch bare wood to make sure everything is connected very well， so he's pretty much opening clearing out all this finish he's installing the strap buttons hand tightening is important we don't want any finished lifts he's being very careful not to ding or damage this guitar comes through qc first， which is checked and looked over for any imperfections the guitar might have so right now he's just installing the claw for the trem so once jp is done with the guitar he puts it back in the rack and then it is placed in the pre assembly the pre assembler this is nick he will grab the guitar once it's finished bring it back to his bench and start his pre assembly process as you can see has the kit with all the parts right now he is installing the tuners here he is waxing the bridge holes to make sure there's enough lubrication and they don't get stuck in the guitar and then lays the bridge so after installing the bridge she is setting the claw height and he will add the for this particular motto pyzo add five tremolo springs to the back so here he is pretty much doing a round about bridge height for getting it ready for the setup guys our core models are at two thirty seconds and then here he is installing the peizo board here he is soldering the positive and negative to the battery door now he's installing the drop in so the peizo has a few extra steps for insulation than a normal core model you have to adjust the volumes solder the board to the actual drop in so right now he's soldering the leads from the peizo to the volume pot we like to tin our wires to help better stick to the computer components it's a bit of a process but at the end of the day this isn't assure everything works properly and functions correctly so once all the soldering is complete we do a tap test to ensure like everything works correctly they test the volume tone we'll tap the individual saddles on the bridge to make sure everything has you know full sound nothing sounds weak or isn't working properly so after tap testing he writes in his signature and signs off on it and hands the guitar to the setup guys and then we have have joe norton he will grab the guitar and get ready for setup he does a quick look over and right now he's oiling the neck removing any tape residue so here is scraping out any finish that might be in the nut slot when we glue the nut we want to make sure that the glue is actually connected to bear wood so here is rough fitting the nut taking off little as possible trying to get the right height he's testing the first right height with feeler gauges to see if he might have to take any more off on the nut itself and then going back and forth a little bit trying to get the right height and making the not look good by getting rid of any jagged edges making sure there's no sharp corners that it feels good getting rid of any sanding scratches that there might be here he's adding the glue to the nut making sure it's spread evenly to ensure good coverage he's now pressing it on making sure it's lined up， so we do use an accelerant and it's to help speed up the process a little more here he is scraping any glue that might have squeezed out between the nut and the fingerboard so here he is installing the strings we use prs signature strings on all of our maryland may guitars which by the way are available at your prs website locking down the cap screws on the tuners he leaves a little bit of slack just so we can get a good wrap around the tuning peg so he'll tune it the guitar up and make sure everything sounds and works right so here he is scraping the end of the fingerboard to get rid of any glue that might be left or finish to ensure that the neck pickup sits flush against the fingerboard he is now lining up the pickups to make sure they align with the neck and the strings of the guitar so he is going to drill out the pickup mounting screws and then seat them the measurements and assembly are very particular so now he is tuning up the guitar making sure that they meet spec he's adjusting the claw heights to make any adjustments that may be needed joe is stretching the strings he's tuning between each step he's adjusting the relief double check again with the feeler gauges and readjusting relief if needed this is sort of a back and forth process to get it exactly within paul specs joe has been here for quite a while he knows these guitars in and out joe has his capo directly on top of the first fret so this helps make the relief measurements more accurate so joe is measuring the string height at the first fret this helps him no whether or not to make any adjustments to the nut slots by filing this is a back and forth process to make sure the guitar meets prs specs any cutting filing that may be needed after joe is done setting up the guitar he's going to play test it make sure all the electronics work the pickup heights are adjusted to where they need to be and then he's going to bring it over to test out the pyzo system he's also bouncing the volumes between the magnetic and the pieso system so once joe's done checking and making any adjustments to the peizo， it brings the guitar back to his bench writes the hang tag filling everything out and he'll scan it to the computer and then he'll hand it off you see which they do pretty much a whole another entire inspection of the guitar。
61AllenK
05:21查看AI文稿AI文稿今天给咱们高哥组一套大板，这套大板预算只有七千块钱啊，比之前的两万块钱大板直接减少了三分之二的预算。我们首先要将毛面的魔术贴贴好， 贴好以后，我们要确定效果器摆放的位置，像路普就是最常用的一个单块，虽然他在效果器练的最后面，但是优先要把它放在一个更容易被踩到的地方。 哥们的要求是要添加一个时断均衡和蛙音踏板，那因为蛙音踏板和时断均衡暂时没货，所以要预留出合适的位置。蛙音踏板依然要留在最右边适合脚踩的地方，那时断均衡正好可以夹在两个小块的周边效果器下面。 在调整好所有效果器位置以后，我们要将部分效果器的胶钉取下，比如 tc 的 大白和大红，它们背后是有胶钉的，取下以后可以更容易的粘贴在效果器板上。 做完以上工作，我们要将效果器的背后贴上另一面的魔术粘，根据效果器的大小剪出合适的魔术粘，然后根据它摆放的位置决定这个魔术粘粘贴的地方， 最重要的就是保证效果器在踩踏时候的稳定性。像这种个头比较小的效果器，尽量确定它的两头都是直接接触效果器板的，而不是接触效果器板上的孔洞。 将所有魔术贴贴完以后，我们就要将所有的单块线连接在一起，因为哥们第一次玩效果器单块，为了方便他后续的学习和拓展，我现在用最简单的一个方法将所有效果器连接起来。 首先是调音表，进入压缩和降噪，然后压缩和降噪后面接着肖波三兄弟， 然后再进入调制类效果器，再从调制类效果器进入延时和混响，最后从谷基路谱中接到音箱。 昨天这位哥们同时拍下了一套黑星的圣詹姆斯音箱，因为这台音箱是有回路的，所以在哥们玩一段时间以后，他可以尝试着回路进入音箱， 通过五十厘米和三十厘米的线，将上下两端的效果器连接在一起，最后再将两头接入效果器板自带的 input 和 output 孔里。 单块线连接完毕以后，我们就要开始安装电源线。 这套板子的效果器数量已经远远超过了效果器孔的数量，所以我们必须用到拓普线。 原则上要优先把独立的电源接口留给周边效果器。除了优先供给耗电量比较大的周边效果器，像鼓机和调音表这种带灯带屏幕的也要优先用独立的口。 像压缩类效果器如果电流不稳的话，也容易导致一些异常的声音，所以压缩效果器也尽量给他留一个单独的电源接口。 根据以上的分析，这套效果器的拓普线就用给了肖波类三兄弟。时钟过载类效果器相对上讲都是对电流要求最低的效果器，通过一拖三就可以轻松地带动 电源。连接好以后，我们就需要测试每个效果器是否工作正常。 测试之前出了点小意外，我发现 a t 家这块上面有个小辫子，占了蛮大空间，所以我要把周边效果器调换一下，把这个时段延迟的位置空出来，这样就有空间塞下单块线，测试完所有单块的声音以后，我们就开始理线并且录制。
