waves l4限制器教程

if you're new some mixing you may be wondering why the music your producing isn't as loud as others now you may have looks for solutions， online and founds you probably just need a limiter across your master or even across a few， various subgroups and channels to get a mix sounding loud， but you may have also come across clippers both limits and clippers can amongst other things get tracks and mixes sounding loud， but there are distinct differences between the two that this video will cover before going into detail listen to the following three audio examples compare how both the clipper and limiter effects the sound and fill of a simple drum loop clipping is quite brutal as it chops off strong peaks and transients in audio to achieve louder sounds it certainly has a sound so it has a purpose it's a different story with limiters think of these as heavy juicy compressors with a hide twenty to one ratio built to really clamp down on dynamic range this heavy handed approach is another way of boosting perceived loudness in music which compared to clipping often sounds cleaner and more transparent generally speaking clippers cut color， chuck out and degrade peaks to get sound louder now limiters are more compassionate as peaks are preserved much better also it's worth knowing that there are regular limits and there are prequel limits the latter goes one step further with a much higher infinity to one ratio to completely squash any sound at its threshold now that you've got a basic understanding of how limited and clippers differ in sound and style listen to that same drum example again with some instrumentation listen closely to how the feel and integrity of the music vary between the two did you hear how clipping felt more aggressive and colored and how limiting sounded cleaner and a tad puncture and comparison let's now touch on， which is better to use in some music production applications when should i use a clipper now we've already mentioned the clippers intentionally slice off peaks in sounds the byproducts of this is distortion which if pushed hard gives sound and aggressive coloration this saturation style can greatly affect trans in heavy material， adding power， energy and attitudes while increasing perceived loudness try clipping， electronic and acoustic drums aggressive rock and rap vocals percussion bases really anything that's already got good impacts that needs further elevation in a mix when should i use a limiter the cleaner gentler and more transparent clipping alternative that is limiting also get sound loud now limiters are essential in modern mastering， but bouncing glitz using some in a mix where they are equally at home a small squeeze of limiting can easily control and strengthen energy in subgroups give more focus to lead vocals even our acoustic guitar parts really anything you feel that needs some extra density and support， but it also must retain its original tone and color not just forgetting a mix loud the title of this video refers to getting mixes loud， but it's also worth making clear that both clippers and limiters can serve another purpose to condense dynamic range so think of this as a form of reduction that helps tracks to sit more upfront in a mix now， we know the results of clipping will sound crunchy to some degree， but not always depending on the track style that you're using your ear may actually find that clipping sounds cleaner than limiting not all limits is a super clean sounding either now at the end of the day， you've got to trust your ears and compare these things for yourself one of the easiest ways to compare how limiting and clipping impacts and mix is with infected mushrooms pusher and all in one mastering tool that provides a level matched clipper and limiter at the final stage in its processing chain let's use this to listen to a different mix switching between clipping and limiting to help you hear how each sounds which did you prefer？ which of these examples did you prefer the sound of the most let's know in the comments below there's no wrong or right answer here but how about limits and clippers in general， which you prefer or do you use them both？ if so how do you use them and why let's get chatting in the comments below as always thanks for watching and down from waves and i'll see you again soon。

感觉自己的声音很飘怎么办？这款插件可以让你的声音变得非常的有质感，不管你是聊天唱歌，我相信一定能帮助你。它可以单独的去控制低频、中频或者高频来给你的声音去增加一些扎实的质感。那么这款插件就是 vivos 的 c 四多段压缩器，我们一起来看一下它全部的功能。 首先我们可以看到中间的这个频谱，你可以理解为它是一个 eq 的一个频谱，中间这个橙色的一条线就是零 dbfs。 然后下边有这个推杆，你可以理解为它是一个分界线，它是一个范围的一个选择，你可以分为四个频段，然后在它的下面也有显示 low made。 我们在低频可以改成一百五，在中频可以改成三千，在高频我们改成一万，这样的话他就分成四个频段，一百五十赫兹以下，然后这个是一百五十到三千赫兹，这个是三千到一万赫兹， 是一万盒子以上。然后下边的这四组推杆他们的功能是一样的，每个推杆对应的就是我们刚才上边选好的这些范围。我们来看一下他的这个功能，首先在这块这有个 s， 你点击他，他就可以去单独的去 solo， 我们的这块频段，也就是刚才我们选好的一百五十赫兹以下，可以单独的对它去监听，然后右边的这个 bypass， 你可以听到在一百五十赫兹以下不处理的声音。好，再往下看，这个 in 就是一个增益补偿的一个功能，然后下边的这个 range， 它是一个范围的一个选择，比如说我把这个推的很高，我们可以看中间这块紫色的一个部分， 说我把它往下拉，那么它压缩的范围就不会超过这个紫色的区域，你可以搭配这个随手预值去使用。当然我们可以去简单的去听一下， 我们可以看到这条橙色的线，他只会在我们紫色的这个区域里去压缩好，然后我们的下面这个 attack 就是启动时间， release 释放时间，你可以去对他进一个调整，然后我们再来看最右边的这个地方，他这边也有随 sho gain range attack release， 它这边的控制是你可以点住它一起去给它增益或者衰减，包括这个跟也是一样，一起去给它增益或者衰减。然后我们再往右看这个 release 有个 a r c， 还有这个模式你可以理解为它是一个手动或者是自动的一个释放的一个功能，这个 a r c 就是自动释放，然后你点击这个模式的话，你可能需要去手动的去调整一下它的 release attack， 然后再往下，这个是释放的一个模式吧，这里就不多讲了。然后底下这个是内拐点，它的拐点我们是看不到的啊，我们可以往上或者往下 soft 二的，我们上个视频也说了， soft 是比较平滑的， hard 是比较硬的，快的，最后最后的上面这个推子 upward， 它是最后的一个声音的增益补偿一个输出量。当然你在使用的时候，你可以去单独的 给他进行一个 solo， 然后去选择他第一屏的一个范围，你需要处理的一个频段的范围，然后这边中屏也是一样，我们可以去调整他的一个范围，去进行一个监听，再去给他做一定的处理。好，这里是未来音频，只讲干货，不讲废话，点赞关注白嫖。