实验猎虎怎么画

hello， did you know that for decades artists use areas of light to both exaggerate and accentuate volumes and their master paintings during the barack garen in fact artists such as carabio， rambran， ruben's volaticists use light to emphasize the important parts of their paintings creating fascinating areas of volumes and contrast i am in fact studying ways to incorporate these classical interpretations into the models we paint revising the results once again vision creations has allowed me this unique opportunity to take a step back into the past actually， i'm here i'm using some unique nasa technology a time machine if you will you see my boss has some failure good relationships with some nasa engineers for reasons， i just care not to discuss it this time but anyway here we have our classical painting full of life， color， contrast， volumes and effects and here we have our scale model so please sit back relax and enjoy this latest dvd from night vision creations and remember night visions is here to help you see through the darkness of the armor modeling community get back i'm sorry sir， i was dreaming yeah， yeah， yeah as most of you know today we have the ability to visit many museums， numerous books and even search the web to find you ask master painting by the renowned artist i think that if these people could create these dramatic effects three hundred years ago maybe we can learn to do the same on our models today， don't you think anyway life and spain it's not as easy as i was originally told it would be the color modulation style is a very new approach that models are just beginning to explore color modulation is a style because it applies different tones to exist in techniques add in both depth and contrast bringing out volumes in any type of scale model in this second dvd from night visions we are going to explain some of the important concepts of color modulation the term color modulation refers to an area meeting between two colors this area can be sharp or softer like the gradient the color modulation style gives a modeler another level of creativity by allowing them to shift the tones bring an attention to certain parts of the vehicle that they feel are most important in the same manner that the classical artist did during the barack era the color modulation style also brings out volumes while adding contrast making the model much more dramatic in appearance we are going to stop the color modulation dvd by first discussing some basic airbrushing techniques this is very important because color modulation is a style that requires us to use numerous airbrush layers of different tones and gradients i use to my paint because they are airbrush friendly although advertised as acrylics to my paints are actually designed to be thin with a lacquer thinner in this dvd we are going to use a lacquer thinner from gayanotes a good airbrush is also very important always shake the bottles well prior to use black or thinner will change the properties of the tamaya colors given you better control of paint distribution finer， lines and much smoother finishes you'll want to get yourself a bunch of disposable transparent plastic cups for thin and mixing the paint place a small amount of paint into one of the cups here if some of the lacquer thin was poured into the small jaw with a pop pet to aid in dispensating， you will want to mix the paint to a ratio of about one part paint six， six parts thinner the thin lines then around one part paint and four parts thinner for the base coat you can see here how quickly and easily the tamaya paints mix with the lack of thinner stir the mixture using an old paintbrush see how quickly the thin paints run down the side of the transparent cup to give you an idea of whether it is ready for airbrushing or not here we have a pretty good mixture let's discuss some brit basic airbrush in techniques a well built stainless steel double actin airbrush like the one scene here although a bit more expensive is essential for spraying different controlled amounts of paint onto the model they're also well built and should last you for many years if you both take care and clean them properly prior to airbrush and always first spray some thinner to ensure that no excess paint from the previous usage is still in the nozzle it is strongly recommended that you always use a cover on your airbrush to avoid any unwanted spills onto your model destroying hours of precious work when applying coats of paint you want to continuously keep your airbrush moving at an even speed keep your hand relaxed slow down the motion for heavier coats， while moving the airbrush closer to the subject for final lines as you can see it is important to keep a steady motion or you will get wet runny puddles covering fine details on your model remember to move your airbrush away from the subject for more softer general lines let's talk a little more about different airbrush and techniques in this example， we are spraying a general transparent co over a large area by pushing down while lightly pulling back on the trigger of the airbrush allowing only a small amount of paint through the nozzle the more you pull back on the trigger the more paint you allow through the nozzle this is why this airbrush is double acting what we are doing here is often referred to as feathering and it allows you to make gradients between different colors featherin is a very important technique for color modulation because we'll be spraying successive coats over one another or highlight and shadows here we are creating fine lines of various wits and intensities the wits and intensity of the line depends upon the speed in， which you move the airbrush across the subject and how much you pull back on the trigger as well， i strongly recommend that you practice obtaining different lines on a piece of paper prior to airbrushing the model to get comfortable with the action of the airbrush， the amount of air going through airbrush is very important if you adjust the air too low when air brush into my paints thinned with a lacquer thinner such as around point six bar for example there will not be enough air force in the paint through the nozzle creating a rather rough looking finish as shown here if we were to up the pressure to around two bar which is a lot the flow of the paint will be much faster and more difficult to control resulting in a rapid buildup as shown here depositing large amounts of paint at one time will result in an uneven finish on the model covering in important details around one bar is a pretty good pressure to spray to my paints as you can see lines containing an even thickness and intensity are easy to achieve please remember the importance of a constant fluid airbrush motion as shown here knowing how to handle the airbrush is very important using both hands and this manner is incorrect this is also uncomfortable and wrong this is the correct way to handle your airbrush always use your keep your hand relaxed you want to keep the airbrush angle that about forty five degrees you can use your other hand to help guide the airbrush as we're showing you here try to keep the cup more or less horizontal as shown remember to use a cap if you have one to avoid spills once more we are keeping the nozzle relatively close to the paper making fine lines that might be used to make a camouflage for example remember to pull back the airbrush to cover larger areas note， the distance for applying larger transparent coat used to make gradients。