蒙太奇安装音色包

给大家表演一个魔术 隔空操作。

hi， this is blake angelos， here at sweetwater with the next generation flagship synthesizer from yamaha the montage m montage m comes in three models for people that play synthesizer the 61k montage m6 is perfect for keyboarders that need more keys the 76 key montage m is ideal both the m6 and the m7 feature are acclaimed fsx action and that's the same action that we had in the motif xf and in the montage it's a great feeling awesome synth action finally you have the m8x that i have in front of me right here m8xb features in all new keyboard action called g e x this remarkable action is really expressive it just feels great it takes inspiration from our concert grand pianos and our hybrid pianos， but that's not all the x and m a x signifies polyphonic aftertouch， which allows you to individually modulate held notes with pressure gex also provides really precise key repetition and behavior that's typically found in grand pianos and let me tell you this action right here is the finest synth action i've ever played in my life it just feels amazing let's talk about what's new in montage m what's different than the original montage？ well， first of all is a new synth engine called a and x a n x recreates the warm vintage sound of analog synths it is our virtual analog engine it is brand new it has sixteen voice of polyphony um and it can be combined with the other two engines what about the other two engines？ while a w m two that's our sample based engine for realistic um sounds that you can name like pianos and brass instruments which different about this instrument is on the montage you can have up to eight elements per part which means an element is a piece of the sound it's has its own filter it own e g， its own l f o and eight of those can make a pretty cool synth but now with montage m you have up to one hundred and twenty eight elements per part that means sounds that in the previous montage took multiple parts to create can now be realized in just a single part so that's pretty cool finally the third engine is the fmx8 operator fm synthesis engine for modern symptoms so complete bind these three engines are capable of producing up to four hundred notes of polyphony that's right four hundred notes of polyphony so you have a hundred and twenty eight notes of polyphony for the preset wave a hundred and twenty eight notes of polyphony for the user waveforms a hundred and twenty eight notes of polyphony for fmx and sixteen notes of polyphony for a m x a total of four hundred notes of polyphony now for awm two content we've doubled the size of the wave rom from five point six seven gigabytes in the original montage to nine point nine seven gigabytes in montage m so what's new in that wave rom there are lots of new orchestral instruments there are lots of new percussive instruments just lots of new content pianos electric pianos all in that new update of the wave run for montage m another way that montage m has been updated is in user waveform it goes from 1.75 gigabytes in the original montage to 3.8 gigabytes in montage m that's twice as much so let me play a few of the sounds from the amx engine alone， so everything you're about to hear is just the new amx engine this first， one is called one of those pat so pat stands for polyphonic after touch now， while i play this sound i'm going to change things using the new real time controls that we've added here we have this new 512 by 64 lcd screen right above the knobs and it just makes it so much easier to get around and edit things so check it out this is one of those pat cool analog pad sound holly find a captor touch check it out so you can see over here that i have these control mods now check it out i can easily get to things like filter the anx model in this instrument has two filters up to 10 filter types so it's very easy to get to it right here you see filter so i'll play this sound again so it's really cool how fast everything is it's right here i'll show you a few other things too let's say that i'm in here and i want to look at the filter eg， but in this case what i want to do is i want want to see it in a little bit more detail that's what this page jump button does it takes what's in the quick at that screen and it puts it in the full at it screen just like that so i have a few more parameters here and you notice that if i move it here the attack say you can see in the screen that that moves at the same time so it's bi directional as well， it's wherever my hand is so if i want to edit the attack here i can use these new display knobs another thing that's new in montage m so i can move display here you see it moving here i'm using this new display knobs now these display knobs are awesome because they change in context with the different parameters and i'm editing they just changed it's really cool but it's really fast editing i love that now let's say while i'm in here i realize that i want to edit the effect so i go to my insert effect which is a chorus here and i see some things here and now what i want to do is move this screen directly over to the quick edit？ so i have the quick edit controls how do i do that i hold the shift button and i have two of them now， so makes it easier to go boom and it takes what's in this page and puts it in the quick edit screen now you see the chorus effect that was editing over here and i can move over here and edit other things so i have these two areas where i can do editing this greatly simplifies the editing process on montage so now i'm just gonna play through some of my favorite anx sounds that i found so far check it out。 啊啊 哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇哇。 so， that's just a brief introduction to this anx engine it has so many capabilities of creating different types of sound then honestly what i expected to come out of this engine it's really got a lot of different tone capabilities another thing you might have noticed is that i was when i was moving from performance to performance that the sound of the previous performance wasn't cutting off so you have the seamless sound switching in this instrument as well， so， that's the annex engine next up is the awm two engine or advanced wave memory that's our sample based technology that recreates the sound of the instruments that you can name like pianos， brass sections， orchestral sounds and so on there's a whole lot of new content here let me show you how to find this content and we'll start with pianos there's so many more pianos in this instrument so let's find them so how we do that is so far you've seen we've been in live set here live set is where i can select up to 16 different performances and you notice there's a new live set scheme here where i have when i press this button it turns these buttons blue and then you can see the categories right here or rather the different slots in the live set right here， so i can select here i can select it in the touch screen and so on， but now we're going to move over to category search so i'm going to touch category search here and you see we have a new category search screen here so you'll notice that cfx concert is in the first slot here and let me just take a moment and talk about that so that's from the original montage， i'm gonna go over here to the performance area but you notice that in the original montage this was a four part performance where part one was the hard strike layer， part two was the soft strike layer， part three was the area above g where there's no dampers on a piano and then part four was the key off well the reason why we did it that way is because we only had eight elements per part， so we put those multiple elements on different parts for a single instrument well now if you look right in the top of the screen this is elements 18 this is the same sound but in a single part now this is part of that 128 element capability of each individual part so things that were a little bit more complex are now necked down and much more easier to use in sequencing much more easier just to deal with， but it's still the same beautiful cfx piano love that piano now let's look at the other pianos that are in this instrument using that category search so i'm going to touch category search now you see right here this is the piano category if i touch attribute right next door you'll notice that there's certain things that i can search for i can search for just a and x content if i wanted to or i can search for just montage m so now what we see here are just the new montage m piano， so we have a new one like the c7 very dry， but i can turn and up the reverb a little bit using the supernut imperial this is the imperial the boatsendorfer we offer that as an update that you could download with the waveforms and loaded into the user memory well， now it's built in because it's part of the new waves totally different piano zone next up， we have the hamburgrand this is a german grand piano that we sampled in hamburg germany a 9 foot concert grand the hamburgrand you notice that i just moved to another performance and again that hamburgrant still rings out so seamless sound switching just want to point that out another piano that we added is the felt piano， so what a felt piano is it's a u1 upright so are you one upright that there's a piece of felt that drops in front of the hammers and it creates this beautiful mellow sound and it's a very popular sound right now in films a lot of artists are using this sound because it's just a gorgeous a gorgeous piano sound check it out here's composer felt pianos the name is so it has some cool effects as well， so those are just a few of the pianos that we added to montage m very cool but that's how you find the sound so when you get your montage m go right here touch attribute touch montage m and every place that you go now in the categories you'll find the new content new content like this rd 78 electric piano another cool update to the montage m is organ sound in behavior and that's due to the vcm rotary speaker effect that's a big part of an organ sound in fact even a kind of okay organ sound sounds great through a really good rotary speaker emulation vcm rotary speaker showed up in our yc series on os 1.2 and it really changed the game for that product so we had to include it here so check it out you may notice that i was changing the speed of the rotary speaker with our new ribbon controller this ribbon controller is backlit it has a five segment led behind it so you you can find out where it's at it'll hold you can sweep with it very cool in fact this whole section over here has been changed you'll notice that there's now portamental control with time right here as well that's a new button and then this cool keyboard hold button which at first i was like i wonder what that's about all that it does is it holds it holds a keyboard chord that you play and then when you play the next chord it will cancel that one out and play the next chord but hold it so i don't have to use the sustain pedal it's great for if i want to play a sound and then use the knobs to maybe edit it check it out it's cool so that's without keyboard hold here's with keyboard hold it's really useful another thing that you want to know is right here the draw bars we had a lot of people say you know it would be great on montage if i could reverse the direction of the faders so that they work like drawbars instead of like faders and we did that we actually have a mode in here that switches the direction of the fader so if i pull these down the function like actual drawbars on an organ and it gives you that more of that organ experience you know we have really great sound designers that design sound for us and all of them are incredibly good musicians， incredibly good producers and they all come from very diverse backgrounds so a lot of them come from the film scoring background and really have a great sense of what that should sound like in today's modern world um we also have guys that are just great keyboard players that their entire reason for creating a sound is to create a produced sound that comes off of like a cd so when they play live it sounds like it's the recording because they've done these production things to the sound that make it very cool so very cool interesting things in this new content that just is mind blowing so let's talk about that film scoring stuff and sort of these modern sounds especially for things like video game design stuff like that the first one on a play is just called cinema action risers just a riser sound 啊啊啊啊！ just a huge cool sound that uses fmx and anx so two engines hybrid synth sounds really cool now i want to show you something about this that's very cool this is called more trailer toys this is a seven part performance this is all using new content it's also gives me opportunity to show the audition what the audition is just like in montage it plays a demo sequence that actually animates the um supernov， the macro control here um and changes things so you know what happens and what's going on what each of these um controls do when you play it back but check out this audition this is mind blowing it's just check it out that just blows my mind every time i play it so let me show you how this performance lines up on the keyboard basically in the low end， we have that cool slamming piano sound that you hear in a lot of action movies this is right and then move up here now we get some cool tempanies and big lots of us some one shot so cool， so usable， so there's lots of new orchestral content this one right here is just beautiful it's just austinado staccato， so it's just articulation of the strings remember the scenes will change the behavior of things so if i play this one here just a couple of them three that's so cool， so there's motion and you can actually easily record that change the tempo， so it those articulations happen in time just a great sound here now this one i love because it's just fun to play this one's called sfz so as far portsando tremolo bpm beats per minute sync so that means i can sync these articulations easily to midi clock so it sits up with my song， but check this out now they move through these different scenes that has different instrumentation different articulations to just the strings and check this out just to point something out look at the screen we added this cool little oscilloscope it's great eye candy， it just looks cool that's all that it is but it's fun i love how the brass fades out as you hold it it's just such a great amazing sound to play so you may notice on the back of montage m i have my flash drive that i brought my content and loaded it in here that's what you can do with this but there's a second usb 2 device port right here so why do we have that there it allows you to connect a usb controller directly to montage m so if you want to play some of the sounds with a separate controller if you have a montage m6 and you have something that sends polyphonic aftertouch you can address it there it's pretty cool you or drum pads another thing to have to connect to this so it just allows you to expand the system a little bit with different gear so montage m shares the same usb midi audio connectivity as montage meaning that you can send up to 32 channels of audio from montage m to a daw and return back six channels and a cool thing about this instrument is that there's actually direct control of that right over here so you have your digital in your usb main and your usb assignable return from the doll right here but before you'd have to like to control control the volume of something coming in via maybe a daw you had to go in the screen to do it well now you can go right here and you can just turn it on turn it up and down so that's a cool thing but there's even more when it comes to connectivity with montage m， so let's say you work um with a computer and you use something like main stage or something like that you can obviously connect directly to um a doll or something like that with the usb audio connectivity and play virtual instruments but what if i were to tell you that in twenty twenty four we are going to release a vst3 audio unit version of montage m free for all montage m owners so what does that mean that means exactly what you think it is the montage m as a virtual instrument so in the first part， we will release a quick edit version that has these controls to edit and then later on in 2024， we will release the full version and that means that you can open up montage m in any daw， you can control， you can open up multiple instances and double or triple or quadruple the power of montage m you can step away from your hardware instrument and edit sounds in the daw and then come back and connect them it's a editor librarian as well， you can share sounds back and forth between the computer and the hardware it is a game changer and again that's coming after the release of montage， a little later in twenty twenty four so there you have it montage m once again this is blake angelos from yamaha here at sweetwater if you have any questions whatsoever don't hesitate to contact your sweetwater sales engineer thanks for watching。

大家好，今天和大家分享一台雅马哈蒙太奇八五台电子合成器。蒙太奇系列呢，也是在雅马哈摩的 xf 系列之后生产的这么一款最新的旗舰产品。蒙太奇系列呢一共出了两种颜色，三个键位啊， 最开始第一批产品呢，就是我面前的这台蒙太奇吧啊，这个深灰色的呃，后来呢又生产了这个四十周年的纪念版啊。蒙太奇白色的蒙太奇系列呢，一共有三个键位，六十一件，七十六件，还有八十八件。我面前这台呢是蒙太奇八，就是八十八件的。下面呢，通过视频大家对蒙太奇吧有一个简单的了解， 蒙太奇八与摩的系列的 xf 八外形尺寸基本差不多。这款呢是蒙太奇第一批次产品啊，可以看一下他的身份证。 这是一台二零一八年七月生产的啊，这是一台行货整形，日本制造，外壳呢都是 铝合金的，两端呢是塑料的，和之前上一代的摩的叉 f 系列比较起来，他的重量要轻一点啊，他的总重量是五十八斤，整个琴长呢都没有超过一米四五，总体来说和叉 f 的大小没有太大的区别。这是他的电源开关， usb 插口，还有这 usb 方口，谜底踏板，呃，输出还有输入都在这里面。 蒙太奇八的键盘呢，和雅马哈摩的叉 f 八的键盘都是一样的，都是雅马哈自己的 bhe 平衡键盘，意思呢就是说他的低音和高音的重量是一样的。这个部分呢是实时演奏的，挖音轮，效果轮切换，还有出空调啊，都在这。那这个部分呢就包含了很多效果气的推子，还有旋钮还有音量轨道 都在这边控制，这个呢是摩的 xf 系列没有的这么一个配置，可以通过这旋钮实时改变声音。屏幕呢要比之前的摩的系列要大很多，也是雅马哈公司首次在合成器里面使用触摸屏，一会我们可以开机看一下。 这个部分呢就是光标部分，可以通过这里选择，还有设置存储都在这边，这边呢就是选择音色部分，从蒙太奇的身上还是可以看到摩的的血统啊，还有这种旗舰操作的感觉。

今天下午阳光不错啊，我们来装一个试音器，吉他呢是橄榄歌三六零，试音器呢是个德国的叉零啊。来，我们先把这个尾钉先拆下来啊，钟琴弦啊，好，要准备开口， 像不像把灰吹掉？ 这个还要手小巧一点，手小一点不够的话拿东西不够就拿东西引一下引出来。好吧，这样是要穿着引线的， 只要出来这么多，刚好出来一个杯袋的稳定的大小就可以了啊。垫片，垫上螺丝固定一下，这个杯在扣， 然后是音孔的位置固定啊，哎，小哥这个你是干嘛呢？这个是固定这个线路的房租的，他们都说免得在音箱里面乱绕是吧？对，还是把它扣起来啊。这是扣线的侧边，三侧边啊， 稳定，把前景再紧起来。那个下面不用买试音调，相对来说安装起来会比较快捷一点啊，就开个稳定就好了。另外其实这款试音器的话，他还可以不用开口， 尾部不开口，然后直接在尾地边，他的尾地上套的这个把它里面这一部分啊直接不用开口，直接套在这个皮套上都可以的，所以自己也可以 别晃，哈哈哈。

下面呢，我们开机看一下， 盲袋七八的开机还是比较快的， 蒙太极开机以后，整体看起来要比之前的磨皮系列啊，要现在的多，而且看起来很新颖啊。 led 灯变多了， 这个通过触按啊都会点亮，然后呢，这个推子里面也会有这个 ld 的背光跟着走，还有这个调制的旋钮 啊，都会有变化，就是灯特别多，灯变得多了，然后通过这个旋钮改变声音，触摸屏也是非常的灵敏， 选择音色呢也非常直观。之前使用过 雅马哈的朋友们，使用蒙太奇上手还是应该非常快的啊，现在呢，我把蒙太奇可以点亮的灯都点亮了，看起来非常不错。 这个磨砂按键的质感看起来也非常棒， 这个没亮的就是不会亮啊，就是能亮的咱都亮了。下面我把这个灯闭一下，然后大家看一下这个效果，这个把灯关掉以后啊，看起来效果就更不错了啊， 我拍出来的视频和我用眼睛看的颜色有很大的差距，实物质感真的很强，部分特别像罗兰的二 d 两千，有没有好朋友觉得像 这个， 通过这个视频呢，大家对雅马哈摩泰启发有一个简单的了解啊，其实雅马哈摩泰启发已经在专业的舞台上，包括综艺啊，演唱会上已经活跃很久了啊，他是一个很新很旗舰的文明的产品， 这个呢是雅马哈公司对他旗舰不生气，很负责任的一次大概款，因为他和之前的雅马哈摩的叉 f 系列，叉系列有很大的区别啊，包括系统啊，面板设计啊，整个的琴型外形看起来都很现代啊，很漂亮。下一个视频呢，会和大家一起分享雅马哈蒙盖奇八的音色部分。

九七五电子琴怎样安装音色包？首先将优盘插入琴中， 按功能键选择买牛二，通过按台部键选择买牛二，选择 ps e、 k 银词多选择第二页 选择 ps 二。九七五，按 f 键，按六的下键， 烂 f 按计，再按计， 此时正在格式化， 然后我们就等待 按 ok 键，他提示安装完成，按计 好请重启，这样的话我们的音色包就安装好了，我们可以看一下音色， 我们按右侧扩展用户， 看一下音色部分，明月双电子琴电音 好，出现这样一个界面，就说明我们刚才的银色包已经安装好了。 然后节奏部分咱们按左侧扩展用户到优盘中去查找，这都是咱们的节奏。好了，这就是九七五电子琴怎样安装音色包？

老铁朋友们大家好啊，看一下这个 s 叉六版，全新的，现在咱给他安装扩展包。有的老铁朋友们说这个 s 叉六版是全中文吗？咱这 s 叉六版是半中文，不是全中文，因为他设置是 设置的是日文繁体字，中文节奏是中文的啊，他是半中文。然后咱们贴没贴门面板，贴上面板的话咱点这个键，他是功能键啊，是菜单键，然后再给他安装一个扩展选项键的右键， 现在再给他安装一下， 再安装一下。 安装好咱那个注册记忆库，他那个灯他是亮的，现在注册记忆库没装，咱把常用的节奏也装在电力琴里。现在正在安装啊，正在安装， 无论是这个雅马哈了、科一了、美德里了，都可以以旧换新，有你手中有旧电子钱，老型号或者是低型号换更高的型号， 可以以旧换新业务。老铁们啊，现在这台正在安装啊，稍后咱安装好。嗯，调试好，咱给老铁朋友们发几个演奏视频、节奏音色包试听。

大家好，今天我给大家普及一下咱们电子琴金色包的知识， 我们很多小伙伴都在问音色包是个什么东西？其实音色包就是音色节奏包的一个简称，包括音色和节奏两部分。 我们原琴自带的一些音色，我们原琴自带的一些音色是在咱们这个页前 pr e s e t 这个叶圈里面，这是圆琴自带的节奏，然后音色也是一样的，音色也是在这个位置，在第一个叶圈都是咱们圆琴自带的一些 节奏和音色，在第一个页签，嗯，第二个页签，这个页签就是装我们节奏包，扩展包中的音色都是在这个这个页签下面， u 字下面装我们扩展包中的音色，然后节奏呢？一样节奏的话我们都是装在优优盘里面的，装在我们的优盘里面的，也就是说音色，我们装的扩展音色包， 他的音色是装在 u 字里面， u 字里面节奏是装在 usb 里面，所以大家不要问，就是说我买了一个音色包，为什么我的优盘里怎么找不到音色呢？咱们的音色是不存在优盘里的音色是咱们通过咱们的 安装安装程序把音色安装到这个优字里面来了，这就是咱们的啊扩展包，那很多小伙伴问，为什么我要装什么音色包呢？我装音色包有什么用呢？也就说音色包 比咱们原琴的绝对是好听的，原琴因为是欧美的或者是外国的，他们的一些音色跟咱们中国的、国内的是不适应的啊，也就是说咱们自己做的音色包，他的音质 还有音色还有低音方面都是比较好的，咱们大家既然花了很高的价钱买了这样一个电子琴，你像六七零也都要五千多，像九七五差九百，这都到上万了，这么好 一个一个琴，如果我们装市面上那些一百两百的或者免费的那些垃圾音色包，那简直是让我们的琴得不到充分的发展，充分的施展。 所以说咱们大家一定要给咱们的爱情弄一套最好的音色包，让他的功能充分发挥出来。另外一套好的音色包你越谈越喜欢， 每天就非常愿意弹琴，他也能够更快的刺激的让你学琴更加进步是不是？所以说一套好的音色包是非常重要的，俗话说好马 配好安就是这个道理。所以说没有买银色包的小伙伴们，咱们大家可以考虑购买一套好的银色包， 所以大家需要如果需要安装音色包的话可以联系我啊。好了，今天我就讲解了一些咱们音色包的一些知识，感谢大家，拜拜。

今天这节目主要解决大家一个最重要的问题，粗茧剪辑就是蒙太奇这句话吧，就是大家听上都似懂非懂吧，我们经常说你在粗简的时候是蒙太奇参与最重的时候， 但是我们很多同学他都不知道蒙太奇是什么，那么粗减到底在减什么？那么其实粗减减的是一种感受， 而这种感受是怎么产生的？这需要我们学习蒙太奇。那么蒙太奇到底是什么？给大家举个例子啊？拿这张纸来说，这好比说我们前期拍过来的素材 来吧，他没有任何逻辑，对不对？哎，我们要进剪辑线，我们第一步要干嘛呀？要剪碎吧，也就是我们在挑镜头，挑完镜头之后，我们下一步是要干嘛呀？我们是不是要组逻辑啊？这个有逻辑吗？ 完全没有逻辑啊，我再加上这个，这这个排列顺序是不是没有逻辑啊？ 但是我们往往的错误是什么呢？我不顺逻辑，我现在开始上精简了，我开始做变速了，我开始做转场了，那么 你的片子会出现一个什么情况啊？你自嗨。那么我们要从现在就要形成一个意识，就是我们要把每个镜头看成每个字，我爱你是标签吗？ 他是一种感受，对吧？你感受到一份爱意，但是他单独存在，会不会， 或者说我百灵完顺序之后，你还会产生感受吗？你不会产生感受对不对？那么是不是我们镜头之间也要有一个很强的逻辑性，我们才能产生一个感觉，是不是可以这么剪完，对吧？我爱你，是不是可以加一个， 我超爱你啊？这个是在我们粗减环节，那么如果现在我们，比如说我们把这些字再想象成我们的镜头啊，它里面有大景别，有小景别，对吧？也有特写， 那么这些特写的选择或是全景的选择是你在经典时候要做的，或者你在初检的第二步要做的，对吧？那我们首先是不是要把大逻辑先弄明白， 我能把镜头落在一起，我这个故事我能看懂，这也就是说我们常说的一个什么东西，我剪辑先剪情感，对吧？然后其次我才是剪我的节奏， 那么我们怎么来对应我们的镜头啊？那么现在依次类类比的话，我们先讲一个什么呢？镜头单独蒙太奇，就我们单镜头和单镜头之间连接起来，它会产生个蒙蒙太奇效应， 那么我还是拿拿这个镜头来举动，比如说是一个晴朗的天气，一个阴天的天气，一个水管在滴水，一把刀，一个人在看书，然后一个咖啡啊，这毫无逻辑的镜头给到你，对不对？是不是像这个东西啊？ 没有任何逻辑，那么现在你要把这个镜头拿到手，你第一件事是干嘛？顺逻辑，那比如你怎么顺逻辑？那你可以可不可以这么来顺啊？我们先说阴天的天气，水滴在滴水，然后还有 把刀，一个人在看书，这是一种情绪吧？我这个镜头合理的组结，你将会产生一种情绪情感。那么下一个晴朗的天气，一束花，一个咖啡，然后一个人在看书，有没有感受那么好？有了感受我再换 晴朗的天气，对吧？一束花，一个人在看书，一杯咖啡，是不情绪还不一样，对吧？你的每一个镜头的阻接将会产生不同的情感 感受，这情感没有拿捏，如果现在我在组建呢？一个阴天天气，一个晴朗的天气，一把刀，一个咖啡，一个人在看书，有感受吗？完全没感受，这是我们经常犯的错误，拿过镜头来不顺，他的情感逻辑就开始进行精简，你再怎么减，你再上音效，你也是自 白毛，因为你都不知道你为什么要表达我们堂叔的表达是什么，一定不是我直接告诉你一个什么事，一定是我通过镜头的连击产生那种感受，我们称之为这位基础的镜头蒙太奇，我们讲过镜头这样蒙太奇，我们下一个是我们的连续蒙太奇， 还有我们的平行模特学交叉模拟器。我们这就来到一个重点，为什么剪辑就是舞台器？我们每下一刀一定是节奏的，是时间，对不对？ 那么我每切换的一个场景，我们说转场，转的是什么？转的是空间，那么所以剪辑的基础是来源于时空概念，我的蒙太奇的理论也必须基于时空概念，对不对？ 在讲蒙泰，其实我们要知道一个很重要的一个词叫戏剧任务，甭管是永孟太奇也好，你你就你用什么手段，他都为戏剧人物服务的。 连续茅台期也是我们在一个呃，影片制作过程中最为基础的一个茅台期了，怎么理解啊？你就比如我现在戏剧任务快速的展示我的一生，比如我在这空间里，早上起来我吃饭，我是儿时哈，一开门呢，我变成 初中生了，然后我一下电梯呢，我变成高中生了，然后上公交车，我成年了，那么在这个过程当中我是有很琐碎的事了，我又没有结婚，我每天吃什么 对吧？公司领导又没有批评我，我妈又没跟我说什么话，但是我们说你的心愿又是什么？你的续集任务是要展示我的成长，我切走了多余的时间和空间，对吧？ 我只保留了与我这个戏任务相关的，我们就称之为连续盲台器。那么还有啊，连续盲台器我们是从单场戏来谈的，是到这了，那你就比如说我下一场戏是什么呢？是 这个辞职，我到公司之后是不是我会打开文件或者干嘛的呢？但是请记住，你的信用是辞职，那么你这场戏前面所有的，比如说那些琐碎的商店踢什么的东西全部不要，如果中途有需要刻画人物的戏，你就去加，如果没有，直接就到 老总办公室去自施啊。能，那么你下场戏就得在老总办公室开，而不能说是在电梯开走道，什么都不要，因为他跟戏任务没有任何关系，这个我们称之为连续蒙带戏。我们常说看一些学生作业，为什么感觉拖呀？ 就是因为这个问题，他动不动给你上个走道，对吧？动不动的，我看你这看我手机，他跟戏剧任务没关系就拖，能理解吧？平行状态起什么呢？还是来源戏剧任务？我们围绕同一戏剧任务的情况 往下不同时间和不同空间吧，展开的同意行动就是我们得围绕同一同一个事，就是展开的戏人物我们是处在不同时间不同空间的啊，那我们来看这场戏啊， 我给大家先讲一下这个故事背景啊，这是呃，大约分期十二宫的一个电影，他是一个什么呢？就是有个杀人狂魔 已经在这个城市杀了一对人了，然后他给报社和警察局都邮了一封一封密码，说这封密码你们如果能在我杀人之前解出来，就这个人都能得救，如果就解不出来，就接下来还有更多人去死。 那么现在这个密码就激激起了社会各界的一个呃，争相恐后的这么一个解读的这么一个行动，那么就产生我们戏剧任务吧。我们是社会各界都在要把这个，把这个密码给解开，这是我们同时 任务的一个展开。那么我们展开戏剧任务之后呢？我们来看就是我们怎么进行一个平行模特旗的处理了。 turn the light grab your book now go get your jammies on all right people listen up the cipher is broken into three sections each with eight lines and seventeen symbols no breaks between a symbol noting different words no numbers or clues to substitution keys and you got symbols from at least seven different sources， greek morse code， maybe semaphore weather symbols astrological signs hey， take again there at this code thing okay， you want to give it a go guy used to sit there was a great cartoonist bob bastion now is on pump of television from reason paul， avery， robert， grace， miss， i've been here nine months you were right by the way you didn't give his name who cracked it history， teacher and his wife。 我们通过这个细润被抛开之后，是不是社会各界都在解这个麻，那么我们从这就知道了，我们的平行状态期它具有个什么样的意义啊？它的有一个功能是什么呢？像你这样竞技一样， 谁能解开他，对吧？谁就是胜利，也就像一个对比一样，对吧？那么我们现在是不是看到了就是这个，这个一对夫妇把这个解开了，我们感觉这个夫妇很厉害，对吧？那么同时我们再思考一下，如果利用同一型蒙太奇，我们是不是可以把这个老对夫妇换成一个孩子， 那么换成一个孩子的时候，可能这个故事就可能是关于一个神童的故事，对吧？世界各界都解不开，让你孩子给解开了，他是个全新的故事，他们在解码的这个空间当中，他们是不是不同空间也是不同时间吧？ 但是我们相同的时候在做一件事，这就是我们平行蒙太奇。讲完平行蒙太奇，我们来讲交叉蒙太奇，交叉蒙太奇和平行蒙太奇的一个最重要的区别是什么啊？就是我的时间和空间进行一个交叉，如果就是基于平行蒙太奇之前， 我有一个时间和空间进行了一个重叠，那么我就会认为这个时间是一样的， 这个是缘分天注定啊，让大家更理解就是交叉交叉蒙戴奇，就他的故事背景是什么呢？就是他们两个人相遇啊，同时买了一双袜子，这个男主想得到这个女主的一个青睐， 然后这个女主提就提出一个特别好玩的事，他说我们现在一起去上电梯，如果能我们在一层相见的情况下，那我们就在一起，我们看他的这个交叉梦的其实是怎么做的？ you stay here okay， no stay here stay there， don't make me come over there okay， okay， right if we both randomly pick the same floor， we're meant to be together now， you're insane go okay， get in take a breath and then when the door closes hit， him up， i don't understand this you don't have to understand you just have to have faith， faith and why destiny？ hey， it's sarah， my name's sarah and here， it is see you all right， go， buddy， we are we're going up here oh， that's okay， josh likes to ride either way， don't you josh don't do that don't press those， hey， calm down， he's just a kid。 这个女女人和这个男人完全没有同框，但是我们知道他们现在时间是一致的，就是我们这时间是怎么给你统一的，就是因为他开篇的时候，他们 是在一个空间下分开的，那么这样情况，在你心里留下的一个时间，唯独就是他们俩现在是同步的。那么给大家做一个思考题，大家来想一下啊，比如说拿一个唐朝的厨房来说，一个人在做一个鸡就很香很甜美，然后 另外一个呢？是在现代的厨房在做一个记忆，那么你现在他们俩的细约任务是不是都在做这个记忆？那么他现在是不是平行梦太奇， 对吧？平行蒙太奇是不同时空吧。那么好，我们现在怎么让他交叉交叉蒙太奇是什么呢？导演说一声，咔，砰，对吧？然后就是，呃，两个人见面了，那么现在我们的时空是有一致了， 只要他俩在一个空间见面，我们的时间将会没同意，但是说这两者还有本质的区别啊，从前从后他是不一样的，从前的情况下，我们来交代说我们是不是这个他们俩的同一时光没有任何悬念呢？ 从后的交叉门口起的时候是有悬念的，但是只要我们这两个人物，我们也要同一戏剧任务啊，在一个时空间下相遇，我的时间将会被统一。 那么基于上面的分享呢，也就到这就结束了。那么现在给大家讲的一个重点啊，就是我们一定要注重粗茧的这个情感的一个传递， 那么再其次是故事，然后才是节奏，不要本末倒，只把形式做得很好，而忘了我们到底在表达什么。经常同学说我们是思维粗减减，思维思维思维，这个思维就是听语言， 如果还没有听我之前分享过试听语言的课的同学，一定要耐心去听试听语言的课，要不你直接到形式，你一定是本末倒置的，你不知道你在表达什么，减半天只是自嗨。好， 今天的节目就到这，我们下期再见。

当你收到蒙特杰姆一的时候，你想把它壁挂到墙上哈，他的方法很简单，类似于挂电视机啊，看到他有两个这样 n 型的挂件哈，然后他是放在这两个位置的左上角和右上角。 然后这个壁挂的挂件呢，就是跟墙壁啊，用膨胀螺丝打这个圆孔里面啊，他是个圆孔， 然后这个挂钩的两边就是扣到那两个 n 型的挂件上面，就可以把它挂起来了。然后还有这两个圆形的垫片哈，左下角和右下角有一个，看这个圆孔，然后把用螺丝把它连接起来啊，固定在这里， 这样垫起来之后呢，他刚好也和墙壁有一点距离，也不影响这个后面的散热啊。

升级音色和节奏，先看节奏，节奏这个是个人的个人账户 这里头全都是节奏，这没有了，这个里头都是 dj 型的 dj 节奏这里 dj 型的很多， 第五个也是 dj， 第六个也是 dj， 第八个第七个啊，这是第八个 dj， 各式各样，记得有这个有西游记，这是空的，这是这两个是空的。这里有各种节奏， 赛马的伴奏什么的，这里头个人账户这里的，这里都是满的这么多的节奏，这个是原厂的这个是原厂的，原厂的节奏没有动下来，再看组合音色， 组合音色弦乐，这里的在我弦乐有两页，剩下都是空的，这面都是空的，这是我装，我自己装的，我喜欢的音色手工琴，这是属于 dj 音色，吉他电钢琴，这个电钢琴音色没治了 啊，这个是啥 小号？ 这个是萨克斯 明月的，这叫这个叫明管 唢呐， 马头琴 完事了啊，还有 很多音色太多了，需要的话可以自己往往往出制作。这个左手这边 这是弹自动伴奏用的啊。又还有一组音色在这里，这是跟乐队伴奏的，乐队左手弦乐， 右手还是就刚才我试的那些音色啊，右手还是那些音色还是那些，总共是两个面，八个音色，八个音色。

家里有两只琴以上的来参考其他仪式柜。 m 三三，这个是三面透，他可以放三把木琴或者五把电琴，电木通用的。他也是带灯光的啊，这个也是带灯光的？我没有插电啊。 呃，智能，智能加湿厨师。呃，所以像这样的就是他的美观度也是，就是又有展示美观度，然后同时又能保护好你的吉他啊，我觉得这个性价比也是非常高。呃，市场 就是市场价的话是两千九百八，然后也有一款是单面透的，就是两边是不透明的，只有正面透明的，像那款的话也是。呃，可以参考啊，两千六百八， 像这个上面。呃，你可以看上面的那些位置啊，也可以放一些小手段啊之类的琴行橱窗的展示啊，还是说自己家用都是可以的选择啊？呃，蒙太奇 m 三三。